This ethnographic account of male suicide in Ireland deals examines the young Irish working class males who are coping with life's stressors in ways that differ significantly from their female peers. Irish suicide statistics and local testimonies indicate how gender specific pain and distress really is and what it means to be male in Ireland today.

This innovative book outlines the great complexity, variety and difference of male identities in Islamic societies. From the Taliban orphanages of Afghanistan to the cafes of Morocco, from the experience of couples at infertility clinics in Egypt to that of Iraqi conscripts, it shows how the masculine gender is constructed and negotiated in the Islamic Ummah. It goes far beyond the traditional notion that Islamic masculinities are inseparable from the control of women, and shows how the relationship between spirituality and masculinity is experienced quite differently from the prevailing...

This book argues for the importance of 'cowboy masculinity, ' from late nineteenth-century dime novels, to the writings of Willa Cather, Ernest Hemingway, Theodore Roosevelt, John Steinbeck, and Owen Wister, and analyzes the democratic politics of masculinity in American literature and positions the American West as central to modernism.

This collection, with contributions on seventeen countries from social scientists from Africa, the Americas, Asia-Pacific, and Europe, analyzes the characteristics and potential of diverse educational, political and related initiatives towards progressive changes in gender relations to show how men are reacting to contemporary social change

An in-depth analysis into the construction of male identity as well as a unique and comprehensive historical overview of how masculinity has been constructed in British literature from the Middle Ages to the present. This book is an important contribution to the emerging field of masculinity studies.

In film, Men are good and Monsters are bad. In this book, Combe and Boyle consider the monstrous body as a metaphor for the cultural body and regard gendered behavior as a matter of performativity. Taken together, these two identity positions, manliness and monsterliness, offer a window into the workings of current American society.

Stars and Masculinities in Contemporary Italian Cinema is the first book to explore contemporary male stars and cinematic constructions of masculinity in Italy. Uniting star analysis with a detailed consideration of the masculinities that are dominating current Italian cinema, the study addresses the supposed crisis of masculinity.

Focusing on global examples of gender equality, this collection explores non-dominant models of masculinity that represent gender equity in pro-feminist ways. Essays explore new alternative models of masculinity by a wide variety of contemporary authors and texts, ranging from Paul Auster to Jonathan Franzen.

Inverting the traditional focus of ethnic studies on blackness as the object of scrutiny, this book explores dominant forms of white masculinity as seen by African American authors placed alongside certain white writers. Author analyzes texts by Herman Melville, Ernest Hemingway, Martha Gellhorn, Frederick Douglass, and James Baldwin.

Offering queer analyses of paintings by Caravaggio and Puccini and films by Ozpetek, Amelio, and Grimaldi, Champagne argues that Italian masculinity has often been articulated through melodrama. Wide in scope and multidisciplinary in approach, this much-needed study shows the vital role of affect for both Italian history and masculinity studies.