Set against the cultural and political backdrop of interwar Europe and the Americas, Poetry in Pieces is the first major study of the Peruvian poet Cesar Vallejo (18921938) to appear in English in more than thirty years. Vallejo lived and wrote in two distinct settingsPeru and Pariswhich were continually crisscrossed by new developments in aesthetics, politics, and practices of everyday life; his poetry and prose therefore need to be read in connection with modernity in all its forms and spaces. Michelle Clayton combines close readings of Vallejo s writings with cultural, historical,...
Set against the cultural and political backdrop of interwar Europe and the Americas, Poetry in Pieces is the first major study of the Peruvian ...
On January 6, 1537, Lorenzino de Medici murdered Alessandro de Medici, the duke of Florence. This episode is significant in literature and drama, in Florentine history, and in the history of republican thought, because Lorenzino, a classical scholar, fashioned himself after Brutus as a republican tyrant-slayer. Wings for Our Courage offers an epistemological critique of this republican politics, its invisible oppressions, and its power by reorganizing the meaning of Lorenzino s assassination around issues of gender, the body, and political subjectivity. Stephanie H. Jed brings into...
On January 6, 1537, Lorenzino de Medici murdered Alessandro de Medici, the duke of Florence. This episode is significant in literature and drama, in F...
In a book that radically challenges conventional understandings of the dynamics of cultural imperialism, Shaden M. Tageldin unravels the complex relationship between translation and seduction in the colonial context. She examines the afterlives of two occupations of Egyptby the French in 1798 and by the British in 1882in a rich comparative analysis of acts, fictions, and theories that translated the European into the Egyptian, the Arab, or the Muslim. Tageldin finds that the encounter with European Orientalism often invited colonized Egyptians to imagine themselves equal to or even masters of...
In a book that radically challenges conventional understandings of the dynamics of cultural imperialism, Shaden M. Tageldin unravels the complex relat...
Hayden White borrows the title for "The Practical Past "from philosopher Michael Oakeshott, who used the term to describe the accessible material and literary-artistic artifacts that individuals and institutions draw on for guidance in quotidian affairs. "The Practical Past," then, forms both a summa of White s work to be drawn upon and a new direction in his thinking about the writing of history.
White s monumental "Metahistory: The Historical Imagination in Nineteenth-Century Europe "(1973) challenged many of the commonplaces of professional historical writing and wider assumptions...
Hayden White borrows the title for "The Practical Past "from philosopher Michael Oakeshott, who used the term to describe the accessible material a...