Reading, like any human activity, has a history. Modern reading is a silent and solitary activity. Ancient reading was usually oral, either aloud, in groups, or individually, in a muffled voice. The text format in which thought has been presented to readers has undergone many changes in order to reach the form that the modern Western reader now views as immutable and nearly universal. This book explains how a change in writing--the introduction of word separation--led to the development of silent reading during the period from late antiquity to the fifteenth century.
Over the course of...

Written by one of the world's leading paleographers, this book reconstructs the ways Western cultures have used writing-on tombstones, monuments, scrolls, books, posters-to commemorate the dead from the tombs of ancient Egypt to the Vietnam Memorial in Washington, D.C.

This work of intellectual and cultural history seeks to understand the recurring connection of teaching with contradiction in some major texts of the European Middle Ages. It moves comfortably between patristic and monastic exegesis, the Paris schools of the twelfth and thirteenth centuries, and late medieval Spain; between Latin and vernacular, between religious and secular. It assimilates the methodologies of religious and erotic texts, thereby displaying the investment of each in the sensuality and analytical power of language. The book begins by exploring Christian exegesis, in which...

Where does courtly literature come from? What is the meaning of -courtly love-? What is the relation between religious and secular culture in the Middle Ages, and why does it matter? This book addresses these questions, as its title indicates, by way of contradiction. Contradiction is central both to medieval logic and to most modern protocols of reading; it therefore informs both the production and the reception of medieval texts. Yet contradiction itself is rarely analyzed, serving more often as a spur to interpretation than as its object. This book works between the complex philosophical...

The medieval clergy, aristocracy, and commercial classes tended to regard peasants as objects of contempt and derision. In religious writings, satires, sermons, chronicles, and artistic representations peasants often appeared as dirty, foolish, dishonest, even as subhuman or bestial. Their lowliness was commonly regarded as a natural corollary of the drudgery of their agricultural toil. Yet, at the same time, the peasantry was not viewed as "other" in the manner of other condemned groups, such as Jews, lepers, Muslims, or the imagined "monstrous races" of the East. Several crucial...

This book interprets fourth-century theological discourse as an incident in the history of masculine gender, arguing that Nicene trinitarian doctrine is a crucial site not only for theological innovation but also for reimagining and reproducing manhood in the late Roman period. When the Trinity became for the first time the sine qua non of doctrinal orthodoxy, masculinity was conceived anew, in terms that heightened the claims of patriarchal authority while cutting manhood loose from its traditional fleshly and familial moorings. In exploring the significance of this late antique...

What is medieval religious drama, and what function does it serve in negotiating between the domains of theology and popular life? This book aims to answer these questions by studying three sets of these dramas: tenth-century Easter plays, twelfth-century Adam plays, and fifteenth- and sixteenth-century Passion plays. However, the author's intent is not to present a genre history. Instead, he seeks to mediate between the historical development of the plays and a systematic unfolding of the archetypal structure within which the plays grasp salvation history and act it out. His theoretical...

This ambitious book presents the most thorough historicist account to date of the development of subjectivity in the medieval period, as traced in medieval literature and historical documentation . Presenting the essence of the modern subject as resting in its subjection to specific historical forms of state power, the author examines literary texts from the Middle Ages that participate in the cultural invention of the subject. Overall, The Subject Medieval/Modern makes a remarkable case for the relevance of studying the Middle Ages to today's world. The book examines the constitution...

Ranging chronologically from the twelfth to the fifteenth centuries and thematically from Latin to vernacular literary modes, this book challenges standard assumptions about the musical cultures and philosophies of the European Middle Ages. Engaging a wide range of premodern texts and contexts, from the musicality of sodomy in twelfth-century polyphony to Chaucer's representation of pedagogical violence in the Prioress's Tale, from early Christian writings on the music of the body to the plainchant and poetry of Hildegard of Bingen, the author argues that medieval music was quintessentially a...