This study breaks with traditional readings in terms of tragic model and tragic hero in the works of Racine and Corneille. It departs from the critical tradition of examining the tragic hero as an isolated figure, defined by autonomy; it approaches the behaviour of Médée, Clytemnestre, and Phèdre from a relational perspective. It argues that these female characters belong to the tragic hero category, hold valid and valuable ethical positions and deserve to be treated as equal to their male counterparts. It also redefines the way we look at the tragic dynamic. The characters are no longer...

Narcisse ? Cambrioleur ? Illusionniste ? Le dandy s’invente des rôles et cache son visage derrière de nombreux masques pour dérouter son public. De Fortunio à Arsène Lupin, sans oublier la femme dandy, de Saint-Just à Romain Gary, les seize études du présent ouvrage font défiler une exceptionnelle galerie de figures qui jalonnent l’histoire du dandysme. Narcissus? A burglar? An illusionist? The dandy invents his own roles and hides his face behind multiple masks to confuse his audience. From Fortunio to Arsène Lupin, not forgetting the dandy woman, from Saint-Just to Romain...

Ce volume repense les concepts de féminismes et de sororités perçus comme une solidarité politique afin d’explorer des visions féministes et sororales plus personnelles vues comme des formes de solidarité et d’entraide entre les femmes tout en respectant les identités individuelles et les différents points de vue. The volume revisits the concepts of feminisms and sororities seen as political solidarity to then further explore feminist and sororal views that are more personal, perceived as forms of solidarity and mutual aid between women all while respecting individual...