"It is with no desire or hope to promote a correct or superior form of textuality, with no desire to correct a so-called interpretive or editorial textual abuse, nor any attempt to prevent anyone from doing anything imaginable with texts or books that I have undertaken this book. . . ." So writes Peter Shillingsburg in his introduction to this series of meditations on the possibilities of deriving "meaning" from the texts we read. Shillingsburg argues that as humans we are and always will be interested in the past, in what was meant, in what was revealed inadvertently by a text--and that...
"It is with no desire or hope to promote a correct or superior form of textuality, with no desire to correct a so-called interpretive or editorial tex...
"Proofs of Genius: Collected Editions from the American Revolution to the Digital Age"is the first extensive study of the collected edition as an editorial genre within American literary history. Unlike editions of an author s selected works or thematic anthologies, which clearly indicate the presence of non-authorial editorial intervention, collected editions have typically been arranged to imply an unmediated documentary completeness. By design, the collected edition obscures its own role in shaping the cultural reception of the author. In"Proofs of Genius," Amanda Gailey argues that...
"Proofs of Genius: Collected Editions from the American Revolution to the Digital Age"is the first extensive study of the collected edition as an edit...