This book provides an introduction not only to the works of Sun'Allah Ibrahim, but also, more generally, to the modern literature of Egypt (and elsewhere in the Arab world) over a 40-year period, in its social, historical and political setting.

The late President of Egypt, Gamal Abdel Nasser (1918-1970), has been represented in many major works of Egyptian literature and film, and continues to have a presence in everyday life and discourse in the country. Omar Khalifah's analysis of these representations focuses on how the historical character of Nasser has emerged in the Egyptian imaginary. He explores the recurrent images of Nasser in literature and film and shows how Nasser constitutes a perfect site for plural interpretations. He argues that Nasser has become a rhetorical device, a figure of speech, a trope that connotes...

Zeina G. Halabi examines the unmaking of the intellectual as prophetic figure, national icon, and exile in Arabic literature and film from the 1990s onwards. She comparatively explores how contemporary writers and film directors such as Rabee Jaber, Rawi Hage, Rashid al-Daif, Seba al-Herz and Elia Suleiman have displaced the archetype of the intellectual as it appears in writings by Elias Khoury, Edward Said, Jurji Zaidan and Mahmoud Darwish. In so doing, Halabi identifies and theorises alternative articulations of political commitment, displacement, and loss in the wake of unfulfilled...

In memoirs, Arab writers have invoked solitude in moments of deep public involvement. Focusing on Taha Hussein, Sonallah Ibrahim, Assia Djebar, Latifa al-Zayyat, Mahmoud Darwish, Mourid Barghouti, Edward Said, Haifa Zangana, and Radwa Ashour, this book reads a range of autobiographical forms, sources, and affinities with other literatures.

Taking a comparative approach, Nasser shows the local sources of contemporary Arab autobiography, adaptations of a global genre, and cultural exchange. She also examines different aspects of the contemporary autobiography as it has evolved in the Arab...

Traces, contextualizes, and analyses the making of the late President of Egypt, Gamal Abdel Nasser's image(s) in creative productions including novels, short stories, autobiographies and film.

This book examines the diverse uses of conspiracy theory in Egyptian fiction since the early twentieth century. Read against the historical and intertextual backgrounds of individual authors and their works, conspiracy theory emerges not as a single, rigid ideology, but as a style of writing that is equal parts literary and political.

Through a robust analysis of several 'new-consciousness' novels by award winning authors the book highlights their unconventional, yet coherent undertakings to foreground the marginal experiences of the Nubian, Amazigh, Bedouin, Coptic, Jewish, women and sexual minority populations in Egypt.

Based on close readings of texts, Zeina Halabi counters the prevalent reading of late 20th-century Arabic literature as a neoliberal, apolitical, fragmented discourse.

In this novel and pioneering study Maya I. Kesrouany explores the move from Qur'anic to secular approaches to literature in early 20th-century Egyptian literary translations.

Six years before the Egyptian revolution of January 2011, many young Egyptians had resorted to blogging as a means of self-expression and literary creativity. Such blogs are explored here as forms of digital literature, combining literary analysis and interviews with the authors.