This collection examines the diverse material cultures through which early modern women's writing was produced, transmitted, and received. It focuses on the ways it was originally packaged and promoted, how it circulated in its contemporary contexts, and how it was read and received in its original publication and in later revisions and redactions.

Lost plays are a source of significant information on playwrights, playing companies, audiences, and venues in Shakespeare's England. They include plays by Shakespeare, Marlowe, Jonson, and other canonical playwrights in addition to anonymous plays and the writings of lesser known writers. Details preserved depend upon the record, but may include title, date, authorship, company affiliation, plot, and even details of performance. This edited collection examines assumptions about what a lost play is and how it can be talked about; how lost plays can be reconstructed, particularly when they use...

This is the first book-length study of early modern English approaches to Medea, the classical witch and infanticide who exercised a powerful sway over literary and cultural imagination in the period 1558-1688. It encompasses poetry, prose and drama, and translation, tragedy, comedy and political writing.

This book explores modalities and cultural interventions of translation in the early modern period, focusing on the shared parameters of these two translation cultures. Translation emerges as a powerful tool for thinking about community and citizenship, literary tradition and the classical past, certitude and doubt, language and the imagination.

The first in-depth account of fictional sequels in the seventeenth and eighteenth centuries, this examines cases of prose fiction works being continued by multiple writers, reading them for evidence of Early Modern attitudes towards authorship, originality, and literary property.

Since the collapse of communism, the relationship between the Polish armed forces and the Polish government and society has been undergoing a transformation. This book dissects that relationship, inspecting the institutional design of the defense establishment in Poland.

This collection of essays by leading scholars in the field reveals the major contribution of puritan women to the intellectual culture of the early modern period. It demonstrates that women's roles within puritan and broader communities encompassed translating and disseminating key texts, producing an impressive body of original writing.

Writing the Ottomans examines historical writing on the Turks in England from 1480-1700, tracing the evolution of this discourse and exploring its central authors, works, and contexts.

This is the first study to consider the relationship between private confessional rituals and memory across a range of early modern writers, including Edmund Spenser, Christopher Marlowe, William Shakespeare, and Robert Southwell.

This book illuminates the politics of Renaissance theatre culture and playbook publication by analysing how and why playhouses came to be referred to as 'public' or 'private'.