Lumen was first published by Camille Flammarion (1842-1925) in 1872 as part of the Stories of Infinity collection. Flammarion was a well-known French astronomer, writer and highly successful popularizer of science during the late 19th century. This famous novel, written in the form of a philosophical dialogue, features a cosmic spirit named Lumen who reveals the scientific wonders of the celestial universe to Quaerens, a young seeker of knowledge. Within its pages, the author mixes empirical observations about the nature and speed of light with vivid speculations about such diverse subjects...
Lumen was first published by Camille Flammarion (1842-1925) in 1872 as part of the Stories of Infinity collection. Flammarion was a well-known French ...
Opening a window onto a fascinating new world for English-speaking readers, this anthology offers popular and influential stories from over ten countries, chronologically ranging from 1862 to the present. Latin American and Spanish science fiction shares many thematic and stylistic elements with anglophone science fiction, but there are important differences: many downplay scientific plausibility, and others show the influence of the region's celebrated literary fantastic. In the 27 stories included in this anthology, a 16th-century conquistador is re-envisioned as a cosmonaut, Mexican...
Opening a window onto a fascinating new world for English-speaking readers, this anthology offers popular and influential stories from over ten countr...
Climbing through the recesses of a mine, an English man falls into a deep chasm and finds himself suddenly trapped in a subterranean world inhabited by an ancient race of advanced beings. From Jules Verne's Journey to the Center of the Earth to Chris Marker's La Jetee, subterranean worlds have been a source of both fascination and fear for the literary imagination and The Coming Race is no exception. An evolutionary fantasy first published in 1871, the story draws upon ideas of Darwinism to describe a near future world characterized by female dominance, physical perfection, and vast...
Climbing through the recesses of a mine, an English man falls into a deep chasm and finds himself suddenly trapped in a subterranean world inhabited b...
This is the first full-length study of emerging Anglo-American science fiction's relation to the history, discourses, and ideologies of colonialism and imperialism. Nearly all scholars and critics of early science fiction acknowledge that colonialism is an important and relevant part of its historical context, and recent scholarship has emphasized imperialism's impact on late Victorian Gothic and adventure fiction and on Anglo-American popular and literary culture in general. John Rieder argues that colonial history and ideology are crucial components of science fiction's displaced references...
This is the first full-length study of emerging Anglo-American science fiction's relation to the history, discourses, and ideologies of colonialism an...
This entertaining anthology delivers great reading and an overview of German-language science fiction, including works by the "German father of science fiction" Kurd Lasswitz, the Austrian writer Ludwig Hevesi (author of "Jules Verne in Hell"), the fantasist Paul Scheerbart (a scurrilous, idiosyncratic writer who was an outsider in both literature and science fiction), popular writers Otto Willi Gail and Hans Dominik, as well as the contemporary luminaries of the genre: Wolfgang Jeschke, Herbert W. Franke, Andreas Eschbach, and Carl Amery. The introduction by the editor gives a succinct...
This entertaining anthology delivers great reading and an overview of German-language science fiction, including works by the "German father of scienc...
Science fiction and socialism have always had a close relationship. Many science fiction novelists and filmmakers have used the genre to examine explicit or implicit Marxist concerns. Red Planets is an accessible and lively account, which makes an ideal introduction to anyone interested in the politics of science fiction. The volume covers a rich variety of examples from Weimar cinema to mainstream Hollywood films, and novelists from Jules Verne, H. G. Wells, Philip K. Dick, and Thomas Disch to Ursula K. Le Guin, Kim Stanley Robinson, Ken MacLeod, and Charles Stross. Contributors include...
Science fiction and socialism have always had a close relationship. Many science fiction novelists and filmmakers have used the genre to examine expli...
H. G. Wells wasn't the only nineteenth-century writer to dream of a time machine. The Spanish playwright Enrique Gaspar published El anacronopete--"He who flies against time"--eight years before Wells's influential work appeared. The novel begins at the 1878 Paris Exposition, where Dr. Don Sindulfo unveils his new invention--which looks like a giant sailing vessel. Soon the doctor embarks on a voyage back in time, accompanied by a motley crew of French prostitutes and Spanish soldiers. The purpose of his expedition is to track down the imprisoned wife of a third-century Chinese emperor,...
H. G. Wells wasn't the only nineteenth-century writer to dream of a time machine. The Spanish playwright Enrique Gaspar published El anacronopete--"He...
Science fiction emerged in Russia considerably earlier than its English version and instantly became the hallmark of Russian modernity. We Modern People investigates why science fiction appeared here, on the margins of Europe, before the genre had even been named, and what it meant for people who lived under conditions that Leon Trotsky famously described as "combined and uneven development." Russian science fiction was embraced not only in literary circles and popular culture, but also by scientists, engineers, philosophers, and political visionaries. Anindita Banerjee explores the handful...
Science fiction emerged in Russia considerably earlier than its English version and instantly became the hallmark of Russian modernity. We Modern Peop...
Challenging assumptions about science fiction's Western origins, Nathaniel Isaacson traces the development of the genre in China, from the late Qing Dynasty through the New Culture Movement. Through careful examination of a wide range of visual and print media--including historical accounts of the institutionalization of science, pictorial representations of technological innovations, and a number of novels and short stories--Isaacson makes a case for understanding Chinese science fiction as a product of colonial modernity. By situating the genre's emergence in the transnational traffic of...
Challenging assumptions about science fiction's Western origins, Nathaniel Isaacson traces the development of the genre in China, from the late Qing D...