From her own knowledge of Blin's rigorous working habits, from interviews with close associates, and Blin's own rare statements, production notes and drawings, Odette Aslan has pieced together the history of Blin's work as actor, critic, and director, his relationship with playwrights and actors, and how he struggled against obstacles to stage works by then unknown authors and bring out the peculiar qualities of the plays he chose.

Karpinski provides the first account and critical evaluation of this Polish director's work for the theater, focusing on milestone productions such as his adaptations of Dostoyevsky. Through an analysis of Wajda's aesthetic views and productions, the study also reveals the vital link between his art and contemporary Polish culture. Karpinski is in a unique position to present a comprehensive study of Wajda, since he has collaborated with the director on a number of productions.