In this monograph we study two generalizations of standard unification, E-unification and higher-order unification, using an abstract approach orig inated by Herbrand and developed in the case of standard first-order unifi cation by Martelli and Montanari. The formalism presents the unification computation as a set of non-deterministic transformation rules for con verting a set of equations to be unified into an explicit representation of a unifier (if such exists). This provides an abstract and mathematically elegant means of analysing the properties of unification in various settings by...

1. Introduction . 1 2. Areas and Angles . . 6 3. Tessellations and Symmetry 14 4. The Postulate of Closest Approach 28 5. The Coexistence of Rotocenters 36 6. A Diophantine Equation and its Solutions 46 7. Enantiomorphy. . . . . . . . 57 8. Symmetry Elements in the Plane 77 9. Pentagonal Tessellations . 89 10. Hexagonal Tessellations 101 11. Dirichlet Domain 106 12. Points and Regions 116 13. A Look at Infinity . 122 14. An Irrational Number 128 15. The Notation of Calculus 137 16. Integrals and Logarithms 142 17. Growth Functions . . . 149 18. Sigmoids and the Seventh-year Trifurcation, a...

In a broad sense design science is the grammar of a language of images rather than of words. Modem communication techniques enable us to transmit and reconstitute images without needing to know a specific verbal sequence language such as the Morse code or Hungarian. Inter national traffic signs use international image symbols which are not An image language differs specific to any particular verbal language. from a verbal one in that the latter uses a linear string of symbols, whereas the former is multidimensional. Architectural renderings commonly show projections onto three mutually...

na broad sense Design Science is the grammar of a language of images Irather than of words. Modern communication techniques enable us to transmit and reconstitute images without needing to know a specific verbal sequence language such as the Morse code or Hungarian. International traffic signs use international image symbols which are not specific to any particular verbal language. An image language differs from a verbal one in that the latter uses a linear string of symbols, whereas the former is multi dimensional. Architectural renderings commonly show projections onto three mutual ly...

In a broad sense Design Science is the grammar of a language of images rather than of words. Modern communication techniques enable us to transmit and reconstitute images without the need of knowing a specific verbal sequential language such as the Morse code or Hungarian. International traffic signs use international image symbols which are not specific to any particular verbal language. An image language differs from a verbal one in that the latter uses a linear string of symbols, whereas the former is multidimensional. Architectural renderings commonly show projections onto three mutually...

In a broad sense design science is the grammar of a language of images rather than of words. Modem communication techniques enable us to transmit and reconstitute images without needing to know a specific verbal sequence language such as the Morse code or Hungarian. Inter national traffic signs use international image symbols which are not An image language differs specific to any particular verbal language. from a verbal one in that the latter uses a linear string of symbols, whereas the former is multidimensional. Architectural renderings commonly show projections onto three mutually...

na broad sense Design Science is the grammar of a language of images Irather than of words. Modern communication techniques enable us to transmit and reconstitute images without needing to know a specific verbal sequence language such as the Morse code or Hungarian. International traffic signs use international image symbols which are not specific to any particular verbal language. An image language differs from a verbal one in that the latter uses a linear string of symbols, whereas the former is multi- dimensional. Architectural renderings commonly show projections onto three mutual- ly...

1. Introduction . 1 2. Areas and Angles . . 6 3. Tessellations and Symmetry 14 4. The Postulate of Closest Approach 28 5. The Coexistence of Rotocenters 36 6. A Diophantine Equation and its Solutions 46 7. Enantiomorphy. . . . . . . . 57 8. Symmetry Elements in the Plane 77 9. Pentagonal Tessellations . 89 10. Hexagonal Tessellations 101 11. Dirichlet Domain 106 12. Points and Regions 116 13. A Look at Infinity . 122 14. An Irrational Number 128 15. The Notation of Calculus 137 16. Integrals and Logarithms 142 17. Growth Functions . . . 149 18. Sigmoids and the Seventh-year Trifurcation, a...

xiv aggregates: this touches on the very nature of things. The concept of statistical symmetry which Loeb develops is particularly important, it emphasizes the limitations in seemingly random aggregates and for permits general statements of which the crystallographer's sym- metries are only special cases. The reductionist and holistic approaches to the world have been at war with each other since the times of the Greek philosophers and before. In nature, parts clearly do fit together into real structures, and the parts are affected by their environment. The problem is one of understanding....