The major operas of Mozart--Don Giovanni, The Marriage of Figaro, The Magic Flute, Cosifan Tutte--are well known to music listeners everywhere, having secured a permanent place in the repertoire of companies throughout the world. But how much do you know about La Clemenza di Tito, Idomeneo, L'Oca del Cairo, Zaide? Charles Osborne here provides detailed descriptions of all of these and fourteen others in a volume that serves both a first-rate biography and an exhaustive critical guide to the Mozart oeuvre. Charles Osborne is obviously in command of the literature: He quotes...

The fifties, though a quiescent period in many ways, was one of the most fervent decades in jazz history. The landmarks of modern jazz were firmly planted and, it could be argued, nearly all directions the music has taken since then can be charted back to recordings, groups, or individuals from this era. In this series of profiles, Joe Goldberg examines the lives and the music, the crucial events and dominant forces of a decade of great music and conflicting esthetics: Miles Davis's recording of Kind of Blue; Gerry Mulligan's pianoless quartet; Cecil Taylor's percussive keyboard...

Leonard Feather's autobiography is also the story of jazz over the last half-century. Since arriving in New York from London in 1935, he has managed to distinguish himself as a producer, composer, pianist, and one of the music's most acute critics.

A unique document by an extraordinary man about one of the giants of American history, this edition features a new forward by Henry Steele Commager, who sheds new light on the Lincoln-Hay relationship.