The Vietnam War has been depicted by every available medium, each presenting a message, an agenda, of what the filmmakers and producers choose to project about America's involvement in Southeast Asia. This collection of essays analyzes the themes, modes, and stylistic strategies seen in a broad range of films and television programs.
The Vietnam War has been depicted by every available medium, each presenting a message, an agenda, of what the filmmakers and producers choose to proj...
From D.W. Griffith's The Birth of a Nation to Spike Lee's Malcolm X, Ed Guerrero argues, the commercial film industry reflects white domination of American society. Written with the energy and conviction generated by the new black film wave, Framing Blackness traces an ongoing epic--African Americans protesting screen images of blacks as criminals, servants, comics, athletes, and sidekicks.
These images persist despite blacks' irrepressible demands for emancipated images and a role in the industry. Although starkly racist portrayals of blacks in early films...
From D.W. Griffith's The Birth of a Nation to Spike Lee's Malcolm X, Ed Guerrero argues, the commercial film industry reflects white...
After the Supreme Court's rejection of legal movie censorship in the 1950s and the demise of the Hays Production Code in the 1960s, various public groups have emerged as media watch dogs, replacing nearly all other sources of control. Responding to explicit violence against women, negative stereotypes of gay and lesbian images, racist representations, and blasphemous interpretations of the Bible, groups from both Left and Right have staged protests in front of theatres and boycotted movie studios. The New Censors shows how groups on the Left empowered by social movements in the 1960s, and...
After the Supreme Court's rejection of legal movie censorship in the 1950s and the demise of the Hays Production Code in the 1960s, various public gro...
