The first book in the Cultural Margins series is a ground-breaking study of racism and homophobia in British politics. Anna Marie Smith analyzes two key moments in New Right discourse: the speeches of Enoch Powell on black immigration (1968-72) and the legislative campaign of the late 1980s to prohibit the promotion of homosexuality. She challenges the silence on issues of race and sexuality in previous studies of Thatcherism and the New Right, and offers a devastating critique of racism and homophobia in late-twentieth-century Britain.

In this first full-length study of race and colonialism in the works of James Joyce, Vincent J. Cheng argues that Joyce wrote insistently from the perspective of a colonial subject of an oppressive empire, and demonstrates how Joyce's texts constitute a significant political commentary on British imperialism in Ireland and on colonial discourses and ideologies in general. This is a groundbreaking study of the century's most internationally influential fiction writer, and of his powerful representations of the cultural dynamics of race, power, and empire.

David Richards examines historical anthropological discourse--specifically writings about and depictions of "savage" peoples by conquering races--as a form of textual practice. Masks of Difference provides detailed readings of individual representations, both artistic and literary, of colonization, including Florida (1564-90) and Scotland (1814), together with extended surveys. What emerges is a composite picture of anthropological representation as a textual genre in its own right, embracing literature, literary theory and colonial/postcolonial studies.

How do gender and race become objects of intellectual inquiry and evaluation? In this book Alice Gambrell examines the careers of a group of women intellectuals--Leonora Carrington, Ella Deloria, H.D., Zora Neale Hurston, and Frida Kahlo--whose scholarly rediscovery coincided with the rise of feminist and minority discourse studies in the academy. Gambrell offers new ways of thinking about the relationships between cultural studies, feminism and minority discourse within the ongoing reassessment of Modernism.

This wide-ranging study contains individual chapers on modernity, globalization and the "West," nationalism and decolonization, cricket and popular consciousness in the English-speaking Caribbean, and African pop music. Neil Lazarus offers extended discussions of the work of such influential writers, critics and activists as Frantz Fanon, C. L. R. James, Edward Said, Gayatri Spivak, Samir Amin, Raymond Williams, Paul Gilroy and Partha Chatterjee. This book is a politically focused, materialist intervention into postcolonial and cultural studies, and constitutes a major reappraisal of the...

This wide-ranging study contains individual chapers on modernity, globalization and the "West," nationalism and decolonization, cricket and popular consciousness in the English-speaking Caribbean, and African pop music. Neil Lazarus offers extended discussions of the work of such influential writers, critics and activists as Frantz Fanon, C. L. R. James, Edward Said, Gayatri Spivak, Samir Amin, Raymond Williams, Paul Gilroy and Partha Chatterjee. This book is a politically focused, materialist intervention into postcolonial and cultural studies, and constitutes a major reappraisal of the...

In Cannibalism and the Colonial World, an international team of specialists from a variety of disciplines discusses the historical and cultural significance of Western fascination with the topic of cannibalism. Addressing the image as it appears in a series of texts--popular culture, film, literature, travel writing and anthropology--the essays range from classical times to contemporary critical discourse. This group of literary and anthropological scholars places the discussion of cannibalism in the context of postcolonial and cultural studies.

Why has autobiography been central to African American political speech throughout the twentieth century? Kenneth Mostern illustrates the relationship between narrative and racial categories such as "colored," "Negro," "black" or "African American" in the work of writers such as W. E. B. Du Bois, Zora Neale Hurston, Malcom X, Martin Luther King, Paul Robeson, Angela Davis and bell hooks. Mostern shows how these autobiographical narratives attempt to construct and transform the political meanings of blackness. This wide-ranging study will interest all those working in African American Studies,...

Why has autobiography been central to African American political speech throughout the twentieth century? Kenneth Mostern illustrates the relationship between narrative and racial categories such as "colored," "Negro," "black" or "African American" in the work of writers such as W. E. B. Du Bois, Zora Neale Hurston, Malcom X, Martin Luther King, Paul Robeson, Angela Davis and bell hooks. Mostern shows how these autobiographical narratives attempt to construct and transform the political meanings of blackness. This wide-ranging study will interest all those working in African American Studies,...

This study offers an extended study of the social and cultural legacies of state division in Ireland and Palestine. Focusing on the period since the 1960s, when the original partition settlements in each region were challenged by Irish and Palestinian nationalists, Joe Cleary's book contains individual chapters on nationalism and self-determination; on the construction of national literatures in the wake of state division; and on influential Irish, Israeli and Palestinian writers, film-makers and public intellectuals.