Episodic and disconnected, much of postmodern fiction mirrors the world as quantum theorists describe it, according to Samuel Chase Coale. In Quirks of the Quantum, Coale shows how the doubts, misgivings, and ambiguities reflected in the postmodern American novel have been influenced by the metaphors and models of quantum theory. Coale explains the basic facets of quantum theory in lay terms and then applies them to a selection of texts, including Don DeLillo's Underworld, Joan Didion's Democracy, and Thomas Pynchon's Against the Day. Using a new approach to...

The term -culture- has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in American modernism, the concepts of culture and of aesthetics have always been inseparable. The modernist concept of culture, he argues, arose out of an interdisciplinary dialogue about value, meaning, and form among social critics, artists, anthropologists, and literary critics, including figures as diverse as Van Wyck Brooks, Edward...

In her reading of detective fiction and passing narratives from the end of the nineteenth century forward, Jinny Huh investigates anxieties about race and detection. Adopting an interdisciplinary and comparative approach, she examines the racial formations of African Americans and Asian Americans not only in detective fiction (from Sherlock Holmes and Charlie Chan to the works of Pauline Hopkins) but also in narratives centered on detection itself (such as Winnifred Eaton's rhetoric of undetection in her Japanese romances). In explicating the literary depictions of race-detection anxiety,...

In Failed Frontiersmen, James Donahue writes that one of the founding and most persistent mythologies of the United States is that of the American frontier. Looking at a selection of twentieth-century American male fiction writers--E. L. Doctorow, John Barth, Thomas Pynchon, Ishmael Reed, Gerald Vizenor, and Cormac McCarthy--he shows how they reevaluated the historical romance of frontier mythology in response to the social and political movements of the 1960s (particularly regarding the Vietnam War, civil rights, and the treatment of Native Americans). Although these writers focus...

The freedom to go anywhere and become anyone has profoundly shaped our national psyche. Transforming our sense of place and identity--whether in terms of social and economic status, or race and ethnicity, or gender and sexuality--American mobility is perhaps nowhere more vividly captured than in the image of the open road. From pioneer trails to the latest car commercial, the road looms large as a form of expansiveness and opportunity.

Too often it is the celebratory idea of the road as a free-floating zone moving the traveler beyond the typical concerns of space and time that...