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Kategorie szczegółowe BISAC
 
Counterpoint and Compositional Process in the Time of Dufay: Perspectives from German Musicology

Kevin N. Moll; Jessie Ann Owens
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
cena: 705,83
 
The Languages of the Modes: Studies in the History of Polyphonic Modality

Frans Wiering; Jessie Ann Owens
The Language of the Modes provides a study of modes in early music through eight essays, each dealing with a different aspects of modality. The volume codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. For many music students and listeners, the "language of the modes" is a deep mystery, accustomed as we are to centuries of modern harmony. Wiering demystifies the modal world, showing how composers and performers were able to use this structure to create compelling and beautiful works. This book will be an...
The Language of the Modes provides a study of modes in early music through eight essays, each dealing with a different aspects of modality. T...
cena: 632,81
 
Gender, Sexuality, and Early Music

Todd Borgerding; Jessie Ann Owens
This collection addresses questions of gender and sexuality as they relate to music from the Middle Ages to the early 17th century. These essays present a body of scholarship that considers music as part of the history of sexuality, stimulating conversation within musicology as well as bringing music studies into dialogue with feminist, gender and queer theory.
This collection addresses questions of gender and sexuality as they relate to music from the Middle Ages to the early 17th century. These essays prese...
cena: 705,83
 
Counterpoint, Composition and Musica Ficta

Margaret Bent
Musica ficta is the practice of sharpening or flattening certain notes to avoid awkard intervals in medieval and Renaissance music. This collection gathers Margaret Bent's influential writings on this controversial subject from the past 30 years, along with an extensive author's introduction discussing the current state of scholarship and responding to critics.
Musica ficta is the practice of sharpening or flattening certain notes to avoid awkard intervals in medieval and Renaissance music. This collection ga...
cena: 778,85
 
Early Musical Borrowing

Honey Meconi
A timely addition to Routledge's "Criticism and Analysis of Early Music" series, this collection of essays examines the common compositional practice of borrowing or imitation in fifteenth-and sixteenth-century music, addressing how and why borrowing was used, the significance of borrowing, the techniques of borrowing, and its recognizable features. The book provides a broad overview of this common practice and sheds light on previously unexplored aspects of early musical borrowing. It functions as both an introduction to the subject as well as a guide for further research. The contributors,...
A timely addition to Routledge's "Criticism and Analysis of Early Music" series, this collection of essays examines the common compositional practice ...
cena: 705,83
 
Counterpoint and Compositional Process in the Time of Dufay: Perspectives from German Musicology

Kevin N. Moll
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
cena: 243,34
 
Early Musical Borrowing

Honey Meconi;¬Abar;¬Abar
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
cena: 238,48
 
Counterpoint, Composition and Musica Ficta

MARGARET BENT;¬Abar;¬Abar
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
cena: 243,34


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