The essays brought together in this book understand phobia not as a pathology, but as a versatile moral, political, and aesthetic resource - and one with a history. They demonstrate that enquiry into strong feelings of aversion has enabled writers and film-makers to say and show things they could not otherwise have said or shown; and in this way to get profoundly and provocatively to grips with the modern condition.

• Makes extensive reference to original readings of a wide range of literary texts and films, from the 1850s to the present
• Places a strong emphasis on the value...