Crime is men's business, isn't it? Women are responsible for 10 percent of crime in Europe. Yet, if we look at the Dutch Republic in the early modern period, we find that in the towns of Holland women played a much larger role in crime. In a number of early modern towns about half of the criminals convicted in court were women. These women were in vulnerable positions and thus more likely to become involved in crime. They also had a relatively independent status and led remarkably public lives. Manon van der Heijden convincingly shows that it is the very combination of women's vulnerability...
Crime is men's business, isn't it? Women are responsible for 10 percent of crime in Europe. Yet, if we look at the Dutch Republic in the early modern ...
This book charts the lives of (suspected) thieves, illegitimate mothers and vagrants in early modern Frankfurt. The book highlights the gender differences in recorded criminality and the way that they were shaped by the local context. Women played a prominent role in recorded crime in this period, and could even make up half of all defendants in specific European cities. At the same time, there were also large regional differences. Women’s crime patterns in Frankfurt were both similar and different to those of other cities. Informal control within the household played a significant role and...
This book charts the lives of (suspected) thieves, illegitimate mothers and vagrants in early modern Frankfurt. The book highlights the gender differe...
In The Theatre of the Street: Public Violence in Antwerp During the First Half of the Twentieth Century Antoon Vrints offers a historical analysis of the meanings and functions of street violence in a modern European city. Commonly perceived as the senseless outcome of social disintegration in urban contexts, public violence appears here as a meaningful strategy to settle conflicts informally. Making use of Antwerp police records, Vrints shows that the prevailing discourse on public violence does not pass the test of empirical facts. The presumed correlation between the occurrence of public...
In The Theatre of the Street: Public Violence in Antwerp During the First Half of the Twentieth Century Antoon Vrints offers a historical analysis of ...
In the early modern period women played a prominent role in crime. At times they even made up half of all defendants. Female criminality was a typically urban phenomenon. Why do we find so many women before the Dutch criminal courts? In Prosecuting Women Ariadne Schmidt analyses the relation between female crime and the urban context by comparing prosecution patterns in various Dutch cities. Prosecuting Women looks beyond the bare figures, examines the personal circumstances of criminal women and shows how women's illegal activities were linked to the socio-economic context of the...
In the early modern period women played a prominent role in crime. At times they even made up half of all defendants. Female criminality was a typical...
Female protagonists are commonly overlooked in the history of crime; especially in early modern Italy, where women’s scope of action is often portrayed as heavily restricted. This book redresses the notion of Italian women’s passivity, arguing that women’s crimes were far too common to be viewed as an anomaly. Based on over two thousand criminal complaints and investigation dossiers, Sanne Muurling charts the multifaceted impact of gender on patterns of recorded crime in early modern Bologna. While various socioeconomic and legal mechanisms withdrew women from the criminal justice...
Female protagonists are commonly overlooked in the history of crime; especially in early modern Italy, where women’s scope of action is often portra...
