An updated edition of the first - and still most authoritative - book on the legendary American iconoclast

Twenty years ago, Phaidon published what has become the definitive study of Arkansas-born Jimmie Durham's career. This highly anticipated new edition brings this important book up to date, tracing his remarkable life from his experiences in the US, Mexico, and Europe - including his early involvement with the American Indian Movement - to his most recent output. It presents a full assessment of his sculptures, performances, wall-based collages, and ersatz...

The definitive book on a creative force who continues to influence sculpture and installation art

Jessica Stockholder has long broken down the boundaries between painting, sculpture, and architecture to explore the body in social and cultural space - using found objects intertwined with profusions of vivid colours. This revised, updated edition spotlights the extraordinary evolution of her career, and examines the pivotal role she has played in shaping some of the most fundamental ideas around which contemporary sculpture and painting revolve today.

The most comprehensive book yet on this inspired, inventive chronicler of the African-American experience

Alabama-born, Chicago-based Kerry James Marshall is one of the most exciting artists working today. Critically and commercially acclaimed, the painter is known for his representation of the history of African-American identity in Western art. Conversant with a wide typology of styles, subjects, and techniques, from abstraction to realism and comics, Marshall synthesizes different traditions and genres in his work while seeking to counter stereotypical depictions...

A timely monograph, covering the landmark work and latest career developments of one of today's greatest living artists.

"Stella now occupies a position similar to that of Kandinsky late in his career. He changed the history of art with his early work, but kept on moving." --The New York Times

Initially influenced by the work of the abstract expressionists, Frank Stella subsequently rejected the movement in favour of more radical forms. In 1960 Stella presented his first series of aluminium paintings at Leo Castelli, causing the first upset in a long history of...