Hippolytus is generally acknowledged to be one of Euripides' finest tragedies, for the construction of its plot, its use of language and its memorable characterisations of Phaedra and Hippolytus. Furthermore, it asks serious and disturbing questions about the influence of divinity on human lives. Sophie Mills considers these and many other themes in detail, setting the play in its mythological, cultural and historical contexts. She also includes discussions of major trends in interpretations of the play and of subsequent adaptations of the Hippolytus story, from Seneca to Mary...

Phaedra is one of Seneca's most successful tragedies. It was the first ancient drama to be performed in the Renaissance, marking an epoch in European theatre. The myth, as reworked by Seneca on the basis of dramas by Euripides, was endowed with fresh power, and his characterisation of Phaedra, especially in her frank avowal of love to her stepson, Hippolytus, fired the imagination of later tragic poets, especially Racine. Roland Mayer introduces the reader to the complex dramatic and literary inheritance which Seneca appropriated and in his turn bequeathed, and he sets out some of the main...

Euripides' "Medea" is one of the greatest and most influential Greek tragedies. This book outlines the development of the Medea myth before Euripides and explores his uniquely powerful version from various angles. There are chapters on the play's relationship to the gender politics of fifth-century Athens, Medea's status as a barbarian, and the complex moral and emotional impact of her revenge. Particular attention is paid to the tragic effect of Medea's great monologue and the significance of her role as a divine avenger. The book ends by considering the varied and fascinating reception...

Sophocles' Electra deals with the famous story of Orestes' vengeance on his mother Clytemnestra for her murder of his father Agamemnon. This book discusses whether the matricide is a just and final act of violence, or whether Sophocles ironically implies that it is more problematic than it seems. Electra is notable among Sophocles' plays for the prominent part played in it by female characters, and especially the heroic resistance and suffering of Orestes' sister Electra. The book pays particular attention to the portrayal of Electra herself, but also discusses wider issues of dramatic...

Like other classical Greek tragedies, Sophocles' Philoctetes is an extraordinarily timely and timeless play. Dramatising the efforts of people who had wronged him to bring the play's hero, Philoctetes, to join the Greek forces in their war against Troy, it traces the moral and emotional development of the young Neoptolemos as he struggles between the values of honesty and deceit, honour and expedience. This is an introduction to the play for students and lay readers. The well focused chapters on Greek theatre and performance, the mythical background, and the literary, intellectual, and...

Chosen as one of the ten canonical plays by Euripides during the Hellenistic period in Greece, Hecuba was popular throughout Antiquity. The play also became part of the so-called 'Byzantine triad' of three plays of Euripides (along with Phoenician Women and Orestes) selected for study in school curricula, above all for the brilliance of its rhetorical speeches and quotable traditional wisdom. Translations into Latin and vernacular languages, as well as stage performances emerged early in the sixteenth century. The Renaissance admired the play for its representation of the...

Chosen as one of the ten canonical plays by Euripides during the Hellenistic period in Greece, Hecuba was popular throughout Antiquity. The play also became part of the so-called 'Byzantine triad' of three plays of Euripides (along with Phoenician Women and Orestes) selected for study in school curricula, above all for the brilliance of its rhetorical speeches and quotable traditional wisdom. Translations into Latin and vernacular languages, as well as stage performances emerged early in the sixteenth century. The Renaissance admired the play for its representation of the...

Libation Bearers is the 'middle' play in the only extant tragic trilogy to survive from antiquity, Aeschylus' Oresteia, first produced in 458 BCE. This introduction to the play will be useful for anyone reading it in Greek or in translation. Drawing on his wide experience teaching about performance in the ancient world, C. W. Marshall helps readers understand how the play was experienced by its ancient audience. His discussion explores the impact of the chorus, the characters, theology, and the play's apparent affinities with comedy. The architecture of choral songs is...

Libation Bearers is the 'middle' play in the only extant tragic trilogy to survive from antiquity, Aeschylus' Oresteia, first produced in 458 BCE. This introduction to the play will be useful for anyone reading it in Greek or in translation. Drawing on his wide experience teaching about performance in the ancient world, C. W. Marshall helps readers understand how the play was experienced by its ancient audience. His discussion explores the impact of the chorus, the characters, theology, and the play's apparent affinities with comedy. The architecture of choral songs is...