The second volume of Jina.ratna's thirteenth-century The Epitome of Queen Lilavati completes his story. Embodied souls undergo all too human adventures in a succession of lives, as they advance to final release. The primary purpose of Jain narrative literature was to edify lay people through amusement; consequently the stories are racy, and in some cases the moralizing element is rather tenuous.
Co-published by New York University Press and the JJC Foundation
For more on this title and other titles in the Clay Sanskrit series, please visit http:...
The second volume of Jina.ratna's thirteenth-century The Epitome of Queen Lilavati completes his story. Embodied souls undergo all too human...
Slender lady, I came out with you to gather fruit. I got a pain in my head and fell asleep in your lap. Then I saw a terrible darkness and a mighty person. If you know, then tell me - was it my dream? Or was what I saw real?
So speaks Satyavat, newly rescued from the god of death by Savitri, his faithful wife, at the heart of one of the best loved stories in Indian literature. This, and other well known narratives, including a version of Rama's story, bring the Forest Book of the great Sanskrit epic, the Maha.bharata, to its compelling conclusion. Woven into the main narrative of...
Slender lady, I came out with you to gather fruit. I got a pain in my head and fell asleep in your lap. Then I saw a terrible darkness and a might...