Cinema and the Great War concentrates on one part of the art of the war: the cinema. Used as tool for propaganda during the war itself, by the mid 1920s cinema had begun to reflect the rejection of conflict prevalent in all the arts. Andrew Kelly explores the development of anti-war cinema in, Britain, America, Germany and France from the ground-breaking Lay Down your Arms, made by Bertha Von Suttner in 1914 and Lewis Milestone's bitter All Quiet on the Western Front through to Stanley Kubrick's magnificent Paths of Glory.

Presiding over the "golden era" of the British Film Industry from the mid to late 1940s, J. Arthur Rank financed movies such as Oliver Twist, The Red Shoes, Brief Encounter, Caesar and Cleopatra and Black Narcissus. Never before, and never since, has the industry risen to such heights.
J. Arthur Rank charts every aspect of the robust film culture that Rank helped to create. Having started out with relatively little knowledge of the cinema, Rank's sponsorship was to bring about astounding progress within the industry, and by...

Following Freud's death in 1939, the radical theories of Melanie Klein were the subject of prolonged controversy and fierce debate within the British Psycho-Analytical Society. At the time, individuals fought passionately in support of their positions. In the midst of, or as a result of, the personal animosities and political manoeuvrings, important intellectual contributions were made, and practical decisions taken, which were to affect the development of psychoanalysis down to the present day. The Freud-Klein Controversies 1941-45 offers the first complete record of the debate, including...

How does film censorship work in Britain? Jim Robertson's new paperback edition of The Hidden Cinema argues that censorship has had a far greater influence on British film history than is often apparent, creating the hidden cinema' of the title. Robertson charts the role of the British Board of Film Censors, established in 1913, and the histories of a variety of noteworthy films including Battleship Potemkin and No Orchids for Miss Blandish and revealing how censorship continues to exert a marked influence on many important films - like the controversial A...

Michael Mullett reconsiders, in the light of recent scholarship and of altering perceptions of the English past, the events of the crucial years 1678-1688: from the Restoration era, through the exclusion crisis, and subsequent reign of James to the Glorious Revolution of 1688. He focuses on the central role of James, Duke of York, and from 1685-1688, King of England, but locates the growing difficulties of his reign within the wider context of political and religious trends.

Presiding over the "golden era" of the British Film Industry from the mid to late 1940s, J. Arthur Rank financed movies such as Oliver Twist, The Red Shoes, Brief Encounter, Caesar and Cleopatra and Black Narcissus. Never before, and never since, has the industry risen to such heights.
J. Arthur Rank charts every aspect of the robust film culture that Rank helped to create. Having started out with relatively little knowledge of the cinema, Rank's sponsorship was to bring about astounding progress within the industry, and by...

Traveling from Warsaw to Blackpool, Marseilles to Madrid, this book investigates the postmodern nature of contemporary Europe's urban life and cinema, and shows how European films represent these cities across old and new Europe. Interdisciplinary in approach, the book engages with diverse films, including ""Luna Park,"" ""Run, Lola, Run,"" ""Trainspotting,"" ""Wonderland,"" and many more. It tackles the issues about postmodernity raised by these films and the changes wrought in European cities over the last two decades under the effects of political change, from the postcommunist era in...

With themes ranging from passion and romance to murder and psychological disturbance, popular British film in the 1940s found little favour with the critics, but provided thrills and entertainment for millions of people during a time of austerity and danger. Realism and Tinsel looks beyond the established histories of Ealing Comedies and realist classics to excavate a rich but neglected tradition of melodrama, gangster films, morbid thrillers and costume pictures. Discussing cinema in the context of the major social, economic, and political changes that were taking place, Robert Murphy...

Whether we love or hate it, Christmas has always played a special role in the cinema, and Christmas movies like ""It's a Wonderful Life"" and ""Miracle on 34th Street"" have a special place in popular affections. They almost constitute a mini-cinematic genre. So what does Christmas in the movies mean to societies across the Anglo-Saxon and European world and what does it have to say about them? The contributors to this book take a good look at popular Christmas films, decoding the messages they convey about preoccupations and attitudes internationally and about the different societies that...