First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Born in Vienna in 1890, Gertrud Bodenwieser became a leading exponent of Ausdruckstanz (Expressionist Dance) during the 1920s and 1930s, developing a definitive personal style and a philosophy of dance that distinguished her from all her contemporaries. In 1938 she emigrated to Australia to start her career afresh with the remaining nucleus of her company from Nazi-occupied Austria. In this collection of writings (initially compiled by Bettina Vernon and posthumously completed by her husband Charles Warren) each contributor highlights Bodenwieser's achievements from a different perspective,...

This text examines the revolution in American dance between 1932 and 1992, aiming to evoke the excitement of this period of change and describing the roles of key creative personalities such as Martha Graham, Doris Humphrey, Charles Weidman, Jose Limon and Hanya Holm.

Jose Limn is universally recognized as one of the most important modern dancers of the 20th century. His technique is still taught at major colleges and dance schools; his dance company continues to revive his works, plus presents new works. His most famous work, The Moor's Pavanne, has been presented around the world by ballet and modern dance companies. This book presents a series of essays about Limn's life and works by noted scholars and dancers who were associated with Limn. It serves as a perfect introduction to his choreography and legacy. The book should appeal to fans of modern...

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Merce Cunningham reached the age of 75 in 1994, an age at which many creative artists are content to rest on their laurels, or at least to leave behind whatever controversies they may have caused during their careers. No so Cunningham. In the first place, his 70s have been a time of intense creativity in which he has choreographed as many as four new works a year. Cunningham is a strongly committed as ever to the discovery of new ways of moving and of making movement, refusing to be hampered by the physical limitations that have come with age. Since 1991 every new work has been made at least...