Throughout the nineteenth century, the land known as "Indian Territory" was populated by diverse cultures, troubled by shifting political boundaries, and transformed by historical events that were colorful, dramatic, and often tragic. Beyond its borders, most Americans visualized the area through the pictures produced by non-Native travelers, artists, and reporters--all with differing degrees of accuracy, vision, and skill. The images in Picturing Indian Territory, and the eponymous exhibit it accompanies, conjure a wildly varied vision of Indian Territory's past.

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In 1879 two Englishmen, writer Samuel Nugent Townshend and photographer John George Hyde, set out for a pleasant Indian summer on a tour of the American West. The duo documented their travels by steamship and train, through Philadelphia, Pittsburgh, and Chicago, across the Missouri to the "new state of Kansas" and the beginning of the western lands and business opportunities that were to become the focus of their narrative. Reprinted here with critical notes and introduction, Our Indian Summer in the Far West offers an enlightening--and often entertaining--perspective on an...

Attracted to the rich ceremonial life and unique architecture of the New Mexico pueblos, many early-twentieth-century artists depicted Pueblo peoples, places, and culture in paintings. These artists' encounters with Pueblo Indians fostered their awareness of Native political struggles and led them to join with Pueblo communities to champion Indian rights. In this book, art historian Sascha T. Scott examines the ways in which non-Pueblo and Pueblo artists advocated for American Indian cultures by confronting some of the cultural, legal, and political issues of the day.
Scott closely...

Artist-explorer John Mix Stanley (1814-1872), one of the most celebrated chroniclers of the American West in his time, was in a sense a victim of his own success. So highly regarded was his work that more than two hundred of his paintings were held at the Smithsonian Institution--where in 1865 a fire destroyed all but seven of them. This volume, featuring a comprehensive collection of Stanley's extant art, reproduced in full color, offers an opportunity--and ample reason--to rediscover the remarkable accomplishments of this outsize figure of nineteenth-century American culture.

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Naturalist John James Audubon found the Great Plains and their wildlife so riveting when he visited the region in 1834 that he broke off a letter to his wife because he was too excited to write. In the almost two hundred years since then, the Wyoming landscape, deemed the "Italy of America" by landscape painter Albert Bierstadt, has retained its glory if not its place in the imagination of the American public. This book reminds us of the remarkable bounty contained in the wild beauty and rich history of the Wyoming grasslands--even as these riches are under threat from both human and...

Artist-explorer John Mix Stanley (1814 1872), one of the most celebrated chroniclers of the American West in his time, was in a sense a victim of his own success. So highly regarded was his work that more than two hundred of his paintings were held at the Smithsonian Institution where in 1865 a fire destroyed all but seven of them. This volume, featuring a comprehensive collection of Stanley s extant art, reproduced in full color, offers an opportunity and ample reason to rediscover the remarkable accomplishments of this outsize figure of nineteenth-century American culture.
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Artists and filmmakers in the early twentieth century reshaped our vision of the American West. In particular, the Taos Society of Artists and the California-based artist Maynard Dixon departed from the legendary depiction of the "Wild West" and fostered new images, or brands, for western art. This volume, illustrated with more than 150 images, examines select paintings and films to demonstrate how these artists both enhanced and contradicted earlier representations of the West.

Prior to this period, American art tended to portray the West as a wild frontier with untamed...

The American nineteenth century saw a largely rural nation confined to the Eastern Seaboard conquer a continent and spawn increasingly dense commercial metropolises. This time of unprecedented territorial and economic growth has long been thought to find its most sweeping visual equivalent in the period's landscape paintings. But, as Matthew N. Johnston shows, the age's defining features were just as clearly captured in, and motivated by, visual material mass-produced through innovations in printing technology. Illustrated railroad and steamboat guidebooks, tourist literature, reports...

One of America's most popular and influential American artists, Frederic Remington (1861-1909) is renowned for his depictions of the Old West. Through paintings, drawings, and sculptures, he immortalized a dynamic world of cowboys and American Indians, hunters and horses, landscapes and wildlife. Frederic Remington: A Catalogue Raisonne II is a comprehensive presentation of the artist's body of flat work, both in print and on this book's companion website.

Beautifully illustrated with more than 150 figures and 100 color plates, this book offers insightful essays by...

Wild Spaces, Open Seasons traces the theme of hunting and fishing in American art from the early nineteenth century through World War II. Describing a remarkable group of American paintings and sculpture, the contributors reveal the pervasiveness of the subjects and the fascinating contexts from which they emerged. In one important example after another, the authors demonstrate that representations of hunting and fishing did more than illustrate subsistence activities or diverting pastimes. The portrayal of American hunters and fishers also spoke to American ambitions and...