The letters of the Impressionist painter Camille Pissarro are well known. Here, with the replies of his painter son Lucien, the world of post-William Morris London appears to complement Camille's Paris. Lucien Pissarro was principally engaged after 1890 with his Eragny Press productions in London. His letters to Camille include technical discussions for the translation of drawings, sometimes by his father, to woodblocks engraved by Lucien, together with Lucien's reactions to his father's comments on work, art trends, personalities, and his own struggles for recognition and financial...

This bibliography provides a source for reviews of the state-sponsored Parisian exhibitions of painting and sculpture (Salons) held during the July Monarchy and Second Republic (1831 1851). It includes an extensive list of references, each presented in a standard format, with titles, dates and ordering codes based upon the holdings of the Bibliotheque nationale in Paris. It is indexed both by authors and by periodicals. The essays and articles that are catalogued are of fundamental importance in establishing a picture of contemporary reactions to art in mid-nineteenth-century France and yet...