Matthew Campbell explores the work of four Victorian poets--Tennyson, Browning, Hopkins and Hardy--in the context of their concern with questions of human agency and will. Through close study of meter, rhyme and rhythm, Campbell reveals how closely, for these poets, questions of poetics are related to issues of psychology, ethics and social change. He goes on to discuss more general questions of poetics, from Milton through Romanticism and into contemporary critical debate, making a major contribution to the current renewal of interest in formalist readings of poetry.

Literary-historical account of Byron's influence on Victorian writers, concentrating on class and sexuality.

This book accounts for the resurgence of Gothic, and its immense popularity, during the British fin de siecle. In particular, Kelly Hurley explores a key scenario that haunts the genre: the loss of a unified and stable human identity, and the emergence of a chaotic and transformative "abhuman" identity in its place. Gothic is revealed as a highly productive and speculative genre, strongly indebted to nineteenth-century scientific, medical and social theories, including evolutionism, criminal anthropology and degeneration theory.

This book looks at the ways Victorian ideas about gender and race supported British imperialism at the turn of the century. It examines the Boer War of 1899-1902 through the war writings of literary figures such as Arthur Conan Doyle, Olive Schreiner, H. Rider Haggard and Rudyard Kipling, and also through newspapers, propaganda, and other forms of public debate in print. Paula M. Krebs' analysis of the part played by ideas about gender and race in public discourse makes a significant new contribution to the study of British imperialism.

The parlor was the center of the Victorian home and, as Thad Logan shows, the place where contemporary conflicts about domesticity and gender relations were frequently played out. In The Victorian Parlour: A Cultural Study, Logan uses an interdisciplinary approach that combines the perspectives of art history, social history, and literary theory to describe and analyze the parlor as a highly significant cultural space. The book concludes with a discussion of how representations of the parlor in literature and art reveal the pleasures and anxieties associated with Victorian domestic life.

This collection of essays focuses attention on a number of Victorian women writers popular in their own time but forgotten or neglected by literary history, from Margaret Oliphant and Charlotte Yonge to Mary Ward, Marie Corelli, "Ouida" and E. Nesbit. Particular emphasis is given to writings concerned with "the woman question." Discussions of marriage, matriarchy and divorce, satire, suffragette writing, writing for children, and links between literature and art illuminate the complex cultural and literary roles, and the engaging contributions, of Victorian women writers.

This is the first book about the relationship between the development of forensic science in the nineteenth century and the new literary genre of detective fiction in Britain and America--from Poe, Dickens and Hawthorne through Twain and Conan Doyle to Hammett, Chandler and Christie. Ronald R. Thomas is especially concerned with the authority the literary detective manages to secure through the "devices"--fingerprinting, photography, lie detectors--and the way in which those devices relate to broader questions of cultural authority at decisive moments in the history of the genre.

This original and wide-ranging study shows how changing attitudes to evidence, trial and revelation in law and theology had a profound impact on literary narrative in the nineteenth century. Jan-Melissa Schramm, who is both a lawyer and a literary critic, argues that authors of fiction created a style of literary advocacy that both imitated, and reacted against, the example of their story-telling counterparts of the criminal Bar, and traces the ongoing debate over rules of evidence, eye-witness testimony and codes of ethical conduct that helped shape Victorian realism as a narrative form.

Thurschwell examines the intersection of literary culture, the occult and new technology at the fin-de-siecle. She argues that as new technologies, such as the telegraph and the telephone, began suffusing the public imagination from the mid-nineteenth century on, they seemed to support the claims of spiritualist mediums. Making unexpected connections between, for instance, speaking on the telephone and speaking to the dead, she examines how psychical research is reflected in the work of Henry James, George DuMaurier and Oscar Wilde among others.

This collection brings together essays by scholars from literature, history of art and history of science which explore the diversity of Victorian fascination with the supernatural: ghosts and fairies, table-rappings and telepathic encounters, occult religions and the idea of reincarnation, visions of the other world and a reality beyond the everyday. These essays demonstrate that the supernatural was not simply a reaction to the "post-Darwinian loss of faith," but was embedded in virtually every aspect of Victorian culture.