Aestheticism and Sexual Parody adds a new and important dimension to the concept of parody as a combative strategy by which sexually marginalized groups undermine the status quo. From W. S. Gilbert's drama, and Vernon Lee and Christopher Isherwood's prose to George Du Maurier's cartoons and Max Beerbohm's caricatures, Dennis Denisoff explores the interactions of late nineteenth and twentieth century parody and aestheticism with the texts of canonical authors such as Alfred Tennyson, Walter Pater, Algernon Swinburne, and Oscar Wilde.

This book examines the representation of a variety of arts--primarily painting, theater, and music--within the work of major nineteenth-century novelists. It charts a historical progression, from Romantic poetry, through mid-century Realism, to Aestheticism, showing how authors used references to other forms of art to illuminate their own aesthetic ideals. Examining the aesthetic theory and cultural practice of different arts, Alison Byerly demonstrates the importance of artistic representation to the development of Victorian Realism.

This study of the Victorian fascination with fairies reveals their significance in Victorian art and literature. Nicola Bown explores what the fairy meant to the Victorians, and why they were so captivated by a figure which nowadays seems trivial and childish. She argues that fairies were a fantasy that allowed the Victorians to escape from their worries about science, technology and the effects of progress. The fairyland they dreamed about was a reconfiguration of their own world, and the fairies who inhabited it were like themselves.

This original and wide-ranging study shows how changing attitudes to evidence, trial and revelation in law and theology had a profound impact on literary narrative in the nineteenth century. Jan-Melissa Schramm, who is both a lawyer and a literary critic, argues that authors of fiction created a style of literary advocacy that both imitated, and reacted against, the example of their story-telling counterparts of the criminal Bar, and traces the ongoing debate over rules of evidence, eye-witness testimony and codes of ethical conduct that helped shape Victorian realism as a narrative form.

Ruskin's God is the first full-length study of the impact that John Ruskin's religion had on his many and varied writings. Part I, "The Author of Modern Painters," covers the first half of his career, when he was an Evangelical Christian and aimed to teach people how to see paintings, buildings and landscapes. In Part II, "Victorian Solomon," Michael Wheeler shows how in his later writings Ruskin, drawing on ancient wisdom, aimed to teach people how to live.

In this study Deborah Vlock shows that characters, dialogue, and plots from many of Charles Dickens' novels can be traced to the Victorian stage, and that contemporary readers and writers of fiction were strongly influenced by what they saw at the theater. Through an examination of theatrical and popular-cultural sources--including accounts of noted actors and actresses, and of popular theatrical characters of the time--Vlock uncovers unexpected precursors for some popular Dickensian characters, and throws new light on the conditions in which Dickens' novels were initially received.

This study investigates human curiosity and its depiction in eavesdropping scenes in nineteenth-century English and French novels. Ann Gaylin sheds light on the social and psychological effects of the nineteenth-century rise of information technology and accelerated flow of information, as manifested in the anxieties about (and delight in) displays of private life and its secrets. She analyzes eavesdropping in Austen, Balzac, Collins, and Proust. This innovative study is of interest to scholars of nineteenth-century English and European literature.

This innovative collection of essays addresses important issues in the history of the book. The multidisciplinary essays consider different aspects of the production, circulation, and consumption of printed texts, analyzing such topics as market trends, modes of publication, and the use of pseudonyms by women writers. Contributors draw on speech act, reader response and gender theory in addition to historical, narratological, materialist, and bibliographical perspectives to study authors such as Dickens, the Brontes and George Eliot.

Muscular Christianity was an important religious, literary, and social movement of the mid-nineteenth century. This volume draws on recent developments in cultural and gender theory to reveal close links between the ideology of the movement and the work of novelists and essayists, including Kingsley, Emerson, Dickens and Pater. Throughout this book, which also contributes to the critical debate on the body as a site for socio-political conflict, Muscular Christianity is shown to be at the heart of issues of gender, class, and national identity in the Victorian age.

This book is the first full-length study of Byron's influence on Victorian writers, concentrating on Carlyle, Emily Bronte, Tennyson, Bulwer-Lytton, Disraeli and Wilde. It has two emphases--to demonstrate the ways that institutions of cultural production mediate the access that later writers have to earlier ones, and to suggest the many different responses that Victorian writers had to Byron and to his celebrity in British culture. It argues that defining oneself against Byron became a ritual of the Victorian authorial career. Victorian writers did not reject Byron outright: instead, they...