The new edition of this landmark volume takes into account the vast amount of new spectral data on minerals, and describes a variety of applications of crystal field theory to the earth and planetary sciences. A unique perspective of the second edition is that it highlights the properties of minerals that make them compounds of interest to solid state chemists and physicists.

Paperny examines the evolution of architecture in Russia during the Stalinist period. Defining two conflicting trends--Culture One and Culture Two--that have alternately prevailed in Russian culture, the author argues that the shift away from the architectural avant-garde of the 1920s was not entirely the result of Stalin's will. Rather, he demonstrates how the aesthetic choices of Stalin and his architects were conditioned by the prevailing cultural mechanisms of the 1930s and 40s. Combining academic precision with engaging narrative, Paperny leads the reader through the remarkable...

This text provides an account of the moral life of Naples, a city in which the ethics of work, family and neighbourhood exist in complex relationship with the teachings of the church and, crucial to key processes of democracy, with the power and limitations of law, bureaucracy and government. It identifies the importance of strong continuous interaction between material and non-material aspects in the entrepreneurial strategies of the ordinary Neapolitan and shows the ways in which different ethical systems are negotiated in everyday life. Success is measured not only by material gain, but...

Bakhtin and the Visual Arts is the first book to assess the relevance of Mikhail Bakhtin's ideas as they relate to painting and sculpture. Deborah Haynes' in-depth study of Bakhtin's aesthetics, especially his theory of creativity, analyzes its applicability to contemporary art theory and criticism. With such categories as answerability, outsideness and unfinalizability, Bakhtin, the author posits, offers a conceptual basis for interpreting the moral dimensions of creative activity.

A translation of essays by French critic and theorist Jean-Louis Schefer.

Visualizing Boccaccio represents a new approach to the interpretation of Boccaccio's classic book of erotic tales, The Decameron. In a comparison of selected tales from The Decameron with works by Cimabue and Giotto, fifteenth-century manuscript illumination, a series of paintings by Botticelli, and Pier Paolo Pasolini's cinematic interpretation of the tales, Ricketts demonstrates how the juxtaposition of verbal and visual renditions permits new interpretations of each of these works.

Paperny examines the evolution of architecture in Russia during the Stalinist period. Defining two conflicting trends--Culture One and Culture Two--that have alternately prevailed in Russian culture, the author argues that the shift away from the architectural avant-garde of the 1920s was not entirely the result of Stalin's will. Rather, he demonstrates how the aesthetic choices of Stalin and his architects were conditioned by the prevailing cultural mechanisms of the 1930s and 40s. Combining academic precision with engaging narrative, Paperny leads the reader through the remarkable...

In this study, Suzanne Lewis argues that the Bayeux Tapestry is one of the first large-scale visual narratives of the Middle Ages that, moreover, conveys medieval conceptions regarding the pictorialized text. More than a reinterpretation of the historical evidence related to the Tapestry, Lewis' study explores the visual and textual strategies and conventions that have made this work such a powerful statement for audiences over the centuries.