Reading the French Enlightenment offers an ambitious reinterpretation of a crucial aspect of eighteenth-century thought, the rationalizing and classifying impulse or "systematic spirit." Julie Candler Hayes surveys the past fifty years of philosophical reflection on the Enlightenment, and takes issue both with traditional liberal and with contemporary critical accounts, arguing instead for a new understanding of "systematic reason" as complex, paradoxical, and ultimately liberating. Through close analysis of philosophical, scientific, and literary texts, she emphasizes the urgency of...

Between 1690 and 1715, well over one hundred literary fairy tales appeared in France, two-thirds of them written by women. The first part of this book situates the rise of this genre within the literary and historical context of late-seventeenth-century France, and the second part examines the representation of sexuality, masculinity and femininity within selected groups of tales. The book proposes a new model for the application of feminist and gender theory to the literary fairy tale, from whatever national tradition.

This book studies the importance of typographic shapes in French Renaissance literature in the context of psychoanalysis and of the history of printed writing. Focusing on the poetry of Clement Marot, Rabelais's Gargantua, Ronsard's sonnets and the Essais of Montaigne, it argues that printed characters can either supplement or betray what they appear to articulate. They often reveal compositional patterns that do not appear to be under authorial control, and open political and subjective dimensions through the interaction of verbal and visual materials. This unconscious, proto-Freudian...

A study of the place and nature of the ideal of politeness in seventeenth and eighteenth-century writing in France, Britain and Russia. This ideal covered not just polite manners, but all the "civilized" norms of society and culture, as opposed to elements considered childish, irrational, savage or vulgar. Professor France shows how interpenetration and compromise between polite and rude, tame and wild, are central features of classical writings, arguing that polite society needed and desired its opposite.

Hughes explores how cultural centers require the peripheral, the outlawed, and the deviant in order to define and bolster themselves. He analyzes the hierarchies of cultural value that inform the work of six modern French writers: the exoticist Pierre Loti; Paul Gauguin, whose Noa Noa enacts European fantasies about Polynesia; Proust, who analyzes such exemplary figures of exclusion and inclusion as the homosexual and the xenophobe; Montherlant; Camus, who pleads an alienating detachment from the cultures of both metropolitan France and Algeria; and Jean Genet.