If America worships success, then why has the nation's literature dwelled obsessively on failure? This book explores encounters with failure by nineteenth-century writers ranging from Edgar Allan Poe and Herman Melville to Mark Twain and Sarah Orne Jewett whose celebrated works more often struck readers as profoundly messy, flawed, and even perverse. Reading textual inconsistency against the backdrop of a turbulent nineteenth century, Gavin Jones describes how the difficulties these writers faced in their faltering search for new styles, coherent characters, and satisfactory endings uncovered...

If America worships success, then why has the nation's literature dwelled obsessively on failure? This book explores encounters with failure by nineteenth-century writers ranging from Edgar Allan Poe and Herman Melville to Mark Twain and Sarah Orne Jewett whose celebrated works more often struck readers as profoundly messy, flawed, and even perverse. Reading textual inconsistency against the backdrop of a turbulent nineteenth century, Gavin Jones describes how the difficulties these writers faced in their faltering search for new styles, coherent characters, and satisfactory endings uncovered...

Negative stereotypes of African Americans have long been disseminated through the visual arts. This original and incisive study examines how black writers use visual tropes as literary devices to challenge readers' conceptions of black identity. Lena Hill charts two hundred years of African American literary history, from Phillis Wheatley to Ralph Ellison, and engages with a variety of canonical and lesser-known writers. Chapters interweave literary history, museum culture, and visual analysis of numerous illustrations with close readings of Booker T. Washington, Gwendolyn Bennett, Zora Neale...

Thomas Pynchon and American Counterculture employs the revolutionary sixties as a lens through which to view the anarchist politics of Pynchon's novels. Joanna Freer identifies and elucidates Pynchon's commentaries on such groups as the Beats, the New Left and the Black Panther Party and on such movements as the psychedelic movement and the women's movement, drawing out points of critique to build a picture of a complex countercultural sensibility at work in Pynchon's fiction. In emphasising the subtleties of Pynchon's responses to counterculture, Freer clarifies his importance as an...

In American Poetic Materialism from Whitman to Stevens, Mark Noble examines writers who rethink the human in material terms. Do our experiences correlate to our material elements? Do visions of a common physical ground imply a common purpose? Noble proposes new readings of Walt Whitman, Ralph Waldo Emerson, William James, George Santayana and Wallace Stevens that explore a literary history wrestling with the consequences of its own materialism. At a moment when several new models of the relationship between human experience and its physical ground circulate among critical theorists and...

Rachel Greenwald Smith's Affect and American Literature in the Age of Neoliberalism examines the relationship between American literature and politics in the twentieth- and twenty-first centuries. Smith contends that the representation of emotions in contemporary fiction emphasizes the personal lives of characters at a time when there is an unprecedented, and often damaging, focus on the individual in American life. Through readings of works by Paul Auster, Karen Tei Yamashita, Ben Marcus, Lydia Millet, and others who stage experiments in the relationship between feeling and form, Smith...

By examining the unique problems that blackness signifies in Moby-Dick, Pierre, Benito Cereno," and "The Encantadas," Christopher Freeburg analyzes how Herman Melville grapples with the social realities of racial difference in nineteenth-century America. Where Melville's critics typically read blackness as either a metaphor for the haunting power of slavery or an allegory of moral evil, Freeburg asserts that blackness functions as the site where Melville correlates the sociopolitical challenges of transatlantic slavery and U.S. colonial expansion with philosophical concerns about mastery. By...

This book identifies the tensions between romance and realism in the literature of African diaspora, discussing Du Bois, Achebe, Wright and Phillips.

This book considers the fascination with the free market and the economic world evident within postwar literature.

In this book, David Bergman argues that post-war poetry underwent a significant shift from a visual to oral emphasis.