The Glagolitic Mass, written between 1926 and 1927, is not only one of Jana DEGREESD&cek's most important works: it is also a masterpiece of the twentieth-century choral repertoire. In this fascinating description of the Mass and its history, Paul Wingfield brings together information on all significant aspects of the work, including much that is new. In particular, he quotes important letters from and to the composer that have never previously been published. Chapters on the music itself offer a full synopsis of the work, the first in-depth study of the musical organization, and key...

Chopin's four ballades are widely regarded as being among the most significant extended works for solo piano of the nineteenth century. In an illuminating discussion, Jim Samson combines history and analysis to provide a comprehensive picture of these popular piano works, investigating the social and musical background to Chopin's music, evaluating the many printed editions of the ballads before considering their critical reception and the differing interpretations of well-known nineteenth- and twentieth-century pianists.

Stravinsky's Oedipus Rex is widely acknowledged as one of the most original musical theater works of the twentieth century. This clear and concise guide, the first ever written on the work, describes the plot, the music and the staging in close detail and provides a fully documented discussion of the origins of Oedipus Rex in Stravinsky's own work and thinking. By placing the work in its social context, the author paints a vivid picture of Parisian artistic politics in the twenties, from which emerged one of the richest and most suggestive works of modern times. The full libretto is provided,...

Chopin's E minor and F minor Piano Concertos played a vital role in his career as a composer-pianist. This Handbook reevaluates them so that their many outstanding qualities can be fully appreciated. It describes their genesis, Chopin's own performances and his use of them as a teacher. A survey of their critical, editorial and performance histories follows, in preparation for an engaging narrative analysis of the concertos as embodied in sound. The final chapter investigates Chopin's enigmatic "third concerto," the Allegro de concert.

Monteverdi's Vespers is an exceptional collection of sacred music, both in the inventiveness of the compositions that it contains and in the debate that it has provoked over its use in the seventeenth century and over Monteverdi's intentions in publishing it. This handbook provides all the information that the reader needs for an in-depth appreciation of the musical settings themselves, of the debate that surrounds the original intention of the volume and of the problems of performing the music today. The book includes the texts and plainsongs used by Monteverdi, and a discography.

Liszt's B minor Sonata is now regarded as his finest work for piano, and one of the pinnacles of Romantic piano music. This book, written by a pianist who has performed the Sonata extensively, includes a survey of Liszt's early attempts at sonata composition and clears away some of the persisent myths regarding program music in Liszt's output. The central chapters, built around an analysis of the B minor Sonata, discuss various interpretative approaches, while the concluding chapter treats the performance practice and performing history of the work. This is the first book to elucidate this...

Mozart's Clarinet Concerto is of supreme importance as his last instrumental work. Yet there are a number of special problems surrounding the piece, since the autograph is lost and the unique instrument for which it was written has not survived. This book presents a wealth of background information, an analysis of the Concerto, discussion of performance practice and details of surviving relevant instruments.

Brahms's First Symphony has been hailed as Beethoven's Tenth. Its controversial status and relationship in the Beethovenian tradition is considered alongside other important issues in the early reception history of this key work in the symphonic repertory. David Brodbeck begins with an account of the lengthy genesis and complicated background to the writing of the symphony, before providing a thorough critical reading of the work, movement by movement. In particular, Professor Brodbeck reveals a dense web of extra-compositional allusions--references in the music to works by J. S. Bach,...

Since its premiere Mahler's Das Lied von der Erde (The Song of the Earth) has been widely regarded as his finest masterpiece. It was written in the wake of personal events that shook the foundations of his life in 1907 and, like all his earlier works, it is deeply influenced by the composer's individual and philosophical worldview. Stephen Hefling provides a background to this symphony for voice and orchestra, describes its genesis, summarizes reviews of the premiere, and gives a careful account of all six movements.

This guide to Mozart's two most popular piano concertos--the D minor, K. 466, and the C major, K. 467 (the so-called "Elvira Madigan")--presents the historical background of the works, placing them within the context of Mozart's compositional and performance activities at a time when his reputation as both composer and pianist was at its peak. The special nature of the concerto, as both a form and genre, is explored through a selective survey of some of the approaches that various critics have taken in discussing Mozart's concertos. The concluding chapter discusses a wide range of issues of...