The German polymath Carl Stumpf (1848 1936) influenced one of the most significant philosophical developments of the early twentieth century: his student, Edmund Husserl, founded modern phenomenology. In a distinguished academic career spanning more than five decades, Stumpf also contributed to the growth of Gestalt psychology and ethnomusicology. An accomplished amateur musician, he used experimental methods to further the scientific study of music theory. His best-known work, first published in two volumes between 1883 and 1890, rigorously investigates the psychology of tone and music,...

The German polymath Carl Stumpf (1848 1936) influenced one of the most significant philosophical developments of the early twentieth century: his student, Edmund Husserl, founded modern phenomenology. In a distinguished academic career spanning more than five decades, Stumpf also contributed to the growth of Gestalt psychology and ethnomusicology. An accomplished amateur musician, he used experimental methods to further the scientific study of music theory. His best-known work, first published in two volumes between 1883 and 1890, rigorously investigates the psychology of tone and music,...

The organist and writer William Spark (1823 97) is best remembered for his active role in the Leeds musical scene, notably his involvement in the People's Concerts and the Leeds Festival. Spark had been articled to the organist and composer Samuel Sebastian Wesley in 1840 and accompanied him when he moved to Leeds two years later. Following several posts as an organist, he worked with Henry Smart on the design of the organ for Leeds town hall in 1858, giving regular recitals on it thereafter. He wrote on a wide variety of musical topics and the present work, first published in 1888, brings...

The composer and music teacher John Pyke Hullah (1812-84) enjoyed considerable success with The Village Coquettes, his 1836 opera with a libretto by Charles Dickens. He is best remembered, however, for his 'singing school for schoolmasters' which he directed at London's Exeter Hall in the 1840s and later at the specially built St Martin's Hall. Although his use of the French fixed sol-fa system was quickly superseded by Curwen's tonic sol-fa approach, his efforts - with the support of Sir James Kay-Shuttleworth - embedded music firmly in the school curriculum. An influence on the rapid growth...

The German mezzo-soprano and celebrated singing teacher Mathilde Marchesi (1821 1913) presents an illuminating account of her life in these memoirs. First published in 1897, the book reflects the significant role that Marchesi played in vocal education during the nineteenth and early twentieth centuries. Having begun her career as a performer, from 1854 she devoted herself to teaching at the Vienna Conservatory and also in Paris and Cologne. She instructed many of the pre-eminent female singers of the age, including Nellie Melba, Mary Garden and Emma Calve. Also renowned for bringing the...

Sourindro Mohan Tagore (1840 1914), musicologist, educationist and patron of Indian music, was a member of a highly influential family in nineteenth-century Calcutta that was renowned for its support of the arts. His work to generate understanding in the West of music's role in Indian culture and heritage was recognised worldwide and he is remembered today through his extensive writings, donations of musical instruments to leading institutions, and the Royal College of Music's prestigious Tagore gold medal. His valuable compilation of eighteenth- and nineteenth-century English writings on...

A friend and pupil of Mendelssohn, the composer and author William Smith Rockstro (1823 95) was regarded as an expert on early music. He contributed articles on the subject to Sir George Grove's Dictionary of Music and Musicians as well as teaching counterpoint and plainsong at the Royal College of Music. His published output includes biographies of Handel (1883), Mendelssohn (1884) and the opera singer Jenny Lind (1891), all of which are reissued in this series. The present work was first published in 1886. In its narrative of musical history since the Greeks, it gives due weight to the...

One of the most prolific composers of the nineteenth century, Sir George Alexander Macfarren (1813 87) produced operas, symphonies, and instrumental and choral works, and is remembered today for the overture Chevy Chace. Son of the London impresario George Macfarren, he studied composition with Cipriani Potter at the Royal Academy of Music, becoming a professor there in 1837. Despite encroaching blindness, which became total in 1860, he remained at the centre of British musical life, continuing to compose, lecture, write and teach. Following the death of William Sterndale Bennett in 1875, he...

Beloved not only in Britain, George Frideric Handel (1685 1759) is admired as a composer the world over. His inventive and sensitive melodic genius and his exuberant brilliance in depicting the spectacular are best displayed in his Messiah and Zadok the Priest. Larger than life, Handel impressed all who met him and was adept at promoting his works, arranging for their publication and even selling them from his home in London's Brook Street. His dogged determination to triumph over the many reverses of his career and the fickle enthusiasms of the Georgian public is the stuff of three-volume...

The music teacher and composer John Pyke Hullah (1812 84) is best remembered for his 'singing school for schoolmasters'. Through his dedicated efforts music was embedded into the school curriculum, and his inspiration influenced the rapid growth of amateur choral societies in Britain. Professor of vocal music at King's College, London, from 1844 to 1874, Hullah was elected to the committee of management of the Royal Academy of Music in 1869 and in 1872 became the first government inspector of music in teacher training colleges. The work reissued here is the second edition, published in 1876,...