Henry George Bonavia Hunt (1847 1917) is best remembered as the founder of Trinity College of Music, London, which had grown out of the Church Choral Society he had established in 1872. A talented preacher and choirmaster, he also edited several popular journals, composed, and served as a lecturer in music history for the University of London between 1900 and 1906. This popular textbook, first published in 1878 and reissued here in its revised third edition of 1879, is a systematic study of musical history for easy assimilation by students. It presents an overview of musical epochs, with each...

The writer, composer and organist Thomas Busby (1754 1838) was originally articled to the composer Jonathan Battishill before setting out to make his living from both musical and literary labours. His compositions (many now lost) include songs, theatre music and oratorios. His written output comprised journal articles and monographs, among them A Grammar of Music and A General History of Music (both reissued in this series). The present work, his most endearing, was first published in 1825. Gossipy, informative and highly entertaining, it yields all manner of insights into musical life...

The writer, composer and organist Thomas Busby (1754 1838) was originally articled to the composer Jonathan Battishill before setting out to make his living from both musical and literary labours. His compositions (many now lost) include songs, theatre music and oratorios. His written output comprised journal articles and monographs, among them A Grammar of Music and A General History of Music (both reissued in this series). The present work, his most endearing, was first published in 1825. Gossipy, informative and highly entertaining, it yields all manner of insights into musical life...

The writer, composer and organist Thomas Busby (1754 1838) was originally articled to the composer Jonathan Battishill before setting out to make his living from both musical and literary labours. His compositions (many now lost) include songs, theatre music and oratorios. His written output comprised journal articles and monographs, among them A Grammar of Music and A General History of Music (both reissued in this series). The present work, his most endearing, was first published in 1825. Gossipy, informative and highly entertaining, it yields all manner of insights into musical life...

In terms of musical composition, all but the first five of his thirty-five years were astoundingly productive for Wolfgang Amadeus Mozart (1756 91). A stream of glorious symphonies, piano concertos, chamber music, operas and the sublime but unfinished Requiem poured from his pen. German philologist and archaeologist Otto Jahn (1813 69) was inspired to write a scholarly biography of Mozart following a conversation at Mendelssohn's funeral in 1847. He immersed himself in intensive research on the composer and his music, publishing the first edition of this landmark work in four volumes between...

In terms of musical composition, all but the first five of his thirty-five years were astoundingly productive for Wolfgang Amadeus Mozart (1756 91). A stream of glorious symphonies, piano concertos, chamber music, operas and the sublime but unfinished Requiem poured from his pen. German philologist and archaeologist Otto Jahn (1813 69) was inspired to write a scholarly biography of Mozart following a conversation at Mendelssohn's funeral in 1847. He immersed himself in intensive research on the composer and his music, publishing the first edition of this landmark work in four volumes between...

In terms of musical composition, all but the first five of his thirty-five years were astoundingly productive for Wolfgang Amadeus Mozart (1756 91). A stream of glorious symphonies, piano concertos, chamber music, operas and the sublime but unfinished Requiem poured from his pen. German philologist and archaeologist Otto Jahn (1813 69) was inspired to write a scholarly biography of Mozart following a conversation at Mendelssohn's funeral in 1847. He immersed himself in intensive research on the composer and his music, publishing the first edition of this landmark work in four volumes between...

This authoritative biography of Ludwig van Beethoven (1770 1827) was a landmark in its meticulous research and use of source material. For the American author Alexander Wheelock Thayer (1817 97), it represented a lifelong labour of love, yet it remained unfinished at his death. His friend Hermann Deiters (1833 1907) edited and translated Thayer's work into German, publishing three volumes which covered Beethoven's life to 1816. Since Deiters also died before the biography could be completed, musicologist Hugo Riemann (1849 1919) was called upon to conclude the work. The final German volumes...

This authoritative biography of Ludwig van Beethoven (1770 1827) was a landmark in its meticulous research and use of source material. For the American author Alexander Wheelock Thayer (1817 97), it represented a lifelong labour of love, yet it remained unfinished at his death. His friend Hermann Deiters (1833 1907) edited and translated Thayer's work into German, publishing three volumes which covered Beethoven's life to 1816. Since Deiters also died before the biography could be completed, musicologist Hugo Riemann (1849 1919) was called upon to conclude the work. The final German volumes...

This authoritative biography of Ludwig van Beethoven (1770 1827) was a landmark in its meticulous research and use of source material. For the American author Alexander Wheelock Thayer (1817 97), it represented a lifelong labour of love, yet it remained unfinished at his death. His friend Hermann Deiters (1833 1907) edited and translated Thayer's work into German, publishing three volumes which covered Beethoven's life to 1816. Since Deiters also died before the biography could be completed, musicologist Hugo Riemann (1849 1919) was called upon to conclude the work. The final German volumes...