Samuel Richardson (1689 1761), the English writer and printer best known for his epistolary novels, including Pamela (1740) and Clarissa (1748), had preserved copies of his extensive correspondence with a view to its eventual publication, and these volumes, edited by Anna Laetitia Barbauld and first published in 1804, contain her selection from his papers. Richardson became a printer's apprentice in 1706 and for the rest of his life managed a successful printing business in addition to writing his highly popular and influential novels. After the success of Pamela, Richardson regularly...

Samuel Richardson (1689 1761), the English writer and printer best known for his epistolary novels, including Pamela (1740) and Clarissa (1748), had preserved copies of his extensive correspondence with a view to its eventual publication, and these volumes, edited by Anna Laetitia Barbauld and first published in 1804, contain her selection from his papers. Richardson became a printer's apprentice in 1706 and for the rest of his life managed a successful printing business in addition to writing his highly popular and influential novels. After the success of Pamela, Richardson regularly...

Samuel Richardson (1689 1761), the English writer and printer best known for his epistolary novels, including Pamela (1740) and Clarissa (1748), had preserved copies of his extensive correspondence with a view to its eventual publication, and these volumes, edited by Anna Laetitia Barbauld and first published in 1804, contain her selection from his papers. Richardson became a printer's apprentice in 1706 and for the rest of his life managed a successful printing business in addition to writing his highly popular and influential novels. After the success of Pamela, Richardson regularly...

In paying tribute to the English poet Charles Algernon Swinburne (1837 1909), his friend and biographer Edmund Gosse (1849 1928) said 'his character was no less strange than his physique he was violent, arrogant, even vindictive, and yet no one could be more affectionate, more courteous, more loyal'. Swinburne and Gosse moved in the same literary set and also in the Pre-Raphaelite circle of artists: Swinburne was especially attached to D. G. Rossetti's wife, Elizabeth Siddal. In his time, Swinburne became notorious for many of his works, including the controversial volume Poems and Ballads,...

Jonathan Swift (1667 1745) was born in Dublin and studied at the city's Trinity College. He gained his B.A. in 1686 before going to England where he took a Master's degree at Oxford in 1692. Subsequently, Swift lived between England and Ireland for a number of years. He moved permanently from England in 1714 after the Tory party he supported lost power. Back in Ireland as Dean of St Patrick's Cathedral in Dublin, he turned his talents to supporting Irish causes. During this period he wrote some of his best work, including Gulliver's Travels, the satirical masterpiece which has been...

Jonathan Swift (1667 1745) was born in Dublin and studied at the city's Trinity College. He gained his B.A. in 1686 before going to England where he took a Master's degree at Oxford in 1692. Subsequently, Swift lived between England and Ireland for a number of years. He moved from England in 1714 after the Tory party he supported lost power. Back in Ireland as Dean of St Patrick's Cathedral in Dublin, he turned his talents to supporting Irish causes. During this period he wrote some of his best work, including Gulliver's Travels, the satirical masterpiece which has been continuously in print...

Walter Pater (1839 94) was the foremost Victorian writer on art and on aesthetic experience. His ideas still shape modern assumptions about how art plays on our feelings and intellectual responses. This edition of Pater's complete works was published in 1900 1 in a limited edition of 775 copies. It comprises eight volumes with an additional volume of critical essays first published in The Guardian. The Renaissance, first published as Studies in the Renaissance (1873), is Pater's best known work. These essays on Italian art and the wider question of how the Renaissance may be defined had...

Walter Pater (1839 94) was the foremost Victorian writer on art and on aesthetic experience. He brought his extensive knowledge of the history of art to bear on the new problem of how to explain the very personal affective response to beauty, and raised this into a central concern of aesthetic and philosophical thought. His ideas still shape modern assumptions about how art plays on our feelings and intellectual responses. This edition of Pater's complete works was published in 1900 1 in a limited edition of 775 copies. It comprises eight volumes with an additional volume of critical essays...

Walter Pater (1839 94) was the foremost Victorian writer on art and aesthetic experience. He brought his knowledge of the history of art to bear on the new problem of how to explain the very personal affective response to beauty, and raised this into a central concern of aesthetic and philosophical thought. His ideas still shape modern assumptions about how art plays on our feelings and intellectual responses. This edition of Pater's complete works was published in 1900 1 in a limited edition of 775 copies. It comprises eight volumes of his major works with an additional volume of critical...

Walter Pater (1839 94) was the foremost Victorian writer on art and on aesthetic experience. He brought his extensive knowledge of the history of art to bear on the new problem of how to explain the very personal affective response to beauty, and raised this into a central concern of aesthetic and philosophical thought. His ideas still shape modern assumptions about how art plays on our feelings and intellectual responses. This edition of Pater's complete works was published in 1900 1 in a limited edition of 775 copies. This collection of essays, first published in 1889, was Pater's only...