While visiting a friend, the writer and cleric Thomas Percy (1729 1811) noticed a neglected folio whose pages were being used by the maids to light the fire. Upon inspection, this manuscript was found to be a seventeenth-century collection of historical ballads. Following this discovery, Percy collected further ballads and songs from a number of sources, which he published in this three-volume work in 1765, although ultimately only a quarter of the texts he presented came from that original manuscript. Although this work proved to be incredibly popular, Percy's idiosyncratic editorial...
While visiting a friend, the writer and cleric Thomas Percy (1729 1811) noticed a neglected folio whose pages were being used by the maids to light th...
While visiting a friend, the writer and cleric Thomas Percy (1729 1811) noticed a neglected folio whose pages were being used by the maids to light the fire. Upon inspection, this manuscript was found to be a seventeenth-century collection of historical ballads. Following this discovery, Percy collected further ballads and songs from a number of sources, which he published in this three-volume work in 1765, although ultimately only a quarter of the texts he presented came from that original manuscript. Although this work proved to be incredibly popular, Percy's idiosyncratic editorial...
While visiting a friend, the writer and cleric Thomas Percy (1729 1811) noticed a neglected folio whose pages were being used by the maids to light th...
While visiting a friend, the writer and cleric Thomas Percy (1729 1811) noticed a neglected folio whose pages were being used by the maids to light the fire. Upon inspection, this manuscript was found to be a seventeenth-century collection of historical ballads. Following this discovery, Percy collected further ballads and songs from a number of sources, which he published in this three-volume work in 1765, although ultimately only a quarter of the texts he presented came from that original manuscript. Although this work proved to be incredibly popular, Percy's idiosyncratic editorial...
While visiting a friend, the writer and cleric Thomas Percy (1729 1811) noticed a neglected folio whose pages were being used by the maids to light th...
The diplomat and Japanese and Korean scholar William George Aston (1841-1911) wrote several highly regarded publications, particularly on the Japanese language. This work is a chronological survey of Japanese literature from its early songs to the European-influenced works of the nineteenth century. It covers lyrics, poetry, prose and children's stories, and charts the major themes in the history of Japanese learning. At the time of publication in 1899, Japanese literature was little known to European readers, and Aston is careful to assume no prior knowledge of the subject, focusing instead...
The diplomat and Japanese and Korean scholar William George Aston (1841-1911) wrote several highly regarded publications, particularly on the Japanese...
The reminiscences of Bristol bookseller Joseph Cottle (1770 1853) have been described as 'unreliable but essential'. The son of a tailor, Cottle was an avid reader, opening a bookshop in 1791. Three years later he was introduced to Samuel Taylor Coleridge and Robert Southey, and became the earliest publisher of their works: through them, he also knew Wordsworth, and published the Lyrical Ballads in 1798. He later fell out with all three men, and in 1837 published (despite Southey and Coleridge's family attempting to prevent it) this quickly notorious two-volume work, through which Cottle lost...
The reminiscences of Bristol bookseller Joseph Cottle (1770 1853) have been described as 'unreliable but essential'. The son of a tailor, Cottle was a...
The reminiscences of Bristol bookseller Joseph Cottle (1770 1853) have been described as 'unreliable but essential'. The son of a tailor, Cottle was an avid reader, opening a bookshop in 1791. Three years later he was introduced to Samuel Taylor Coleridge and Robert Southey, and became the earliest publisher of their works: through them, he also knew Wordsworth, and published the Lyrical Ballads in 1798. He later fell out with all three men, and in 1837 published (despite Southey and Coleridge's family attempting to prevent it) this quickly notorious two-volume work, through which Cottle lost...
The reminiscences of Bristol bookseller Joseph Cottle (1770 1853) have been described as 'unreliable but essential'. The son of a tailor, Cottle was a...
Hartley Coleridge (1796-1849), the eldest surviving son of the poet S. T. Coleridge, himself tried to earn a living as a writer and teacher, but his own disposition, the result of a difficult upbringing during which his frequently absent father used him as the subject of scientific and psychological research, made it difficult for him to function in the real world, and he relied for much of his life on the charity of friends for both income and home. This 1833 work on the 'lives of distinguished northerns' was originally commissioned by a publisher who subsequently went bankrupt, but the...
Hartley Coleridge (1796-1849), the eldest surviving son of the poet S. T. Coleridge, himself tried to earn a living as a writer and teacher, but his o...
The lawyer, politician and antiquarian John Selden (1584 1654) made his name as an expert on the ancient laws of England, though he was equally at home with classical and Judaic studies: Grotius described him as 'the glory of the English nation', and his advice was sought on all manner of legal and moral problems from tithes to cross-dressing. This collection of his remarks on many topics was compiled by his amanuensis Richard Milward and first published in 1689. Reissued here is a version annotated and with a biographical preface by the literary scholar Samuel Weller Singer (1783 1858) and...
The lawyer, politician and antiquarian John Selden (1584 1654) made his name as an expert on the ancient laws of England, though he was equally at hom...
The librettist and theatre manager Alfred Bunn (1796-1860) published these memoirs of his career, giving a view 'both before and behind the curtain', in 1840. He professes not to be fond of autobiographies, is clearly irritated at the not always flattering walk-on role he is given in the memoirs of some of the greatest contemporary performers, and regards this three-volume work as a way of settling a number of scores. His account cannot therefore be said to be unprejudiced, but it is written with a verve which makes it very readable, and - allowing for bias and exaggeration - provides a...
The librettist and theatre manager Alfred Bunn (1796-1860) published these memoirs of his career, giving a view 'both before and behind the curtain', ...
The librettist and theatre manager Alfred Bunn (1796-1860) published these memoirs of his career, giving a view 'both before and behind the curtain', in 1840. He professes not to be fond of autobiographies, is clearly irritated at the not always flattering walk-on role he is given in the memoirs of some of the greatest contemporary performers, and regards this three-volume work as a way of settling a number of scores. His account cannot therefore be said to be unprejudiced, but it is written with a verve which makes it very readable, and - allowing for bias and exaggeration - provides a...
The librettist and theatre manager Alfred Bunn (1796-1860) published these memoirs of his career, giving a view 'both before and behind the curtain', ...