An contemporary description of the 1881 performance of Oedipus Tyrannus, a landmark in the modern revival of classical Greek theatre.

Sir Richard Jebb (1841 1905) was the outstanding British classical scholar of the second half of the nineteenth century. This memoir, published by his widow in 1907, gives a rounded picture of the man chiefly remembered today for his editions of the plays of Sophocles, but who was also instrumental in founding the British Schools of Archaeology in Athens and Rome and the British Academy, and who as a Member of Parliament for Cambridge University played a significant part in the politics of his day, especially in educational reform at both school and university level. Extracts from his letters...

John Stuart Blackie (1805 1895) trained in law and studied divinity in Scotland and Germany before becoming a professor of Classics. Confident, well-travelled, vivacious, and outspoken, he delivered numerous public lectures, was instrumental in the founding of the Gaelic Chair at Edinburgh University, and published translations of many German and Classical works, as well as an impressive body of literary criticism. He was active in Radical politics, a strong opponent of the 1867 Reform Bill, and well-known for his eccentric dress. Anna M. Stoddart's detailed biography of Blackie, published in...

This is the first volume, published in 1835, of Connop Thirlwall's eight-volume history of ancient Greece.

This two-volume critical edition of Seneca's tragedies by Friedrich Leo (1851 1914) was published in Berlin in 1878 1879. Seneca, the first-century Roman philosopher, modelled his tragedies on the work of Greek playwright Euripides. Leo argues that the tragedies were in fact written for recitation only, and were not intended to be performed, although they have been successfully staged in modern times. A classical scholar of some distinction who later became a full member of the Academy of Sciences in Gottingen, Leo's critical edition of Seneca was published early in his career, while he...

Sir William Gell (1777 1836) was a British archaeologist known for his drawings of sites and objects of classical interest. Noting that from the beginning of the excavations at Pompeii in 1748 'to the present day, no substantial] work has appeared in the English language upon the subject of its domestic antiquities', together with architect and fellow countryman John P. Gandy he first published Pompeiana to help detail important findings that had been made by the excavators in the first two decades of the nineteenth century. To this end they provide historical discussion, analysis, and over...

Textual notes on Greek plays and poetry by the influential Cambridge professor Richard Porson, published posthumously in 1812.

Richard Porson (1759 1808) published editions of Euripides' Hecuba (1779), Orestes (1798), The Phoenician Women (1799) and Medea (1801) as individual volumes. They were collected and published together in 1826, some years after Porson's death, as Euripidis Tragoediae Priores Quatuor, edited by James Scholefield (1789 1853). The volume contains Porson's reconstructed Greek text of the four tragedies accompanied by a detailed Latin commentary. The volume is introduced by a Latin preface and a supplement expounding Porson's theories on the metrical rules followed by Attic poets. These theories...

First published between 1858 and 1871, John Conington's lucid exposition of the complete works of Virgil continues to set the standard for commentary on the Virgilian corpus. After decades out of print, this three-volume edition is once again available to readers, allowing Conington's subtle investigations of language, context, and intellectual background to find a fresh audience. Volume 2 (1863) features the first six books of the Aeneid. Introductory essays and detailed, informative notes situate the work within the larger field of Greek and Latin epic poetry. Still a major scholarly...

Arundines Cami ('The Reeds of the Cam') is a collection of over 200 English rhymes, songs, poems, and hymns translated into Latin (and occasionally Greek) by a group of early Victorian Cambridge alumni. It was compiled and edited by Henry Drury (1812 1863), a graduate of Gonville and Caius College. A promising classical scholar, Drury left Cambridge in 1839 to embark on a career in the church, and became curate of Alderley, Gloucestershire. The following year, Drury and some friends conceived this anthology which includes the full text of selected English poems by authors including Tennyson,...