Artist, diarist, and devotee of the Elgin Marbles, Benjamin Robert Haydon (1786 1846) is best known for his large-scale paintings, such as Christ's Entry into Jerusalem and The Raising of Lazarus. After he entered the Royal Academy in 1805 as a student of Henry Fuseli, his forthright views and combative manner fuelled a feud with the institution and perceived enemies. His unshakeable belief in his own genius and his unwillingness to compromise his artistic standards drew him ever further into debt, which ultimately contributed to his suicide. As a writer, Haydon's acute eye for the humorous...

Artist, diarist, and devotee of the Elgin Marbles, Benjamin Robert Haydon (1786 1846) is best known for his large-scale paintings, such as Christ's Entry into Jerusalem and The Raising of Lazarus. After he entered the Royal Academy in 1805 as a student of Henry Fuseli, his forthright views and combative manner fuelled a feud with the institution and perceived enemies. His unshakeable belief in his own genius and his unwillingness to compromise his artistic standards drew him ever further into debt, which ultimately contributed to his suicide. As a writer, Haydon's acute eye for the humorous...

This work was first published in 1886 to accompany one of the more eccentric displays at the Edinburgh International Exhibition of the same year. Historically accurate reconstructions of noteworthy but long-demolished Edinburgh buildings were built side by side to create a fictional street. This guide provided visitors with key historical information relating to the recreated buildings and monuments ranging from the medieval market cross to the historic tolbooth. Fact is combined with anecdote, situating the buildings in the wider context of Edinburgh's rich history. The text was written by...

First published in 1817, this highly influential study by Thomas Rickman (1776 1841) provides a classic overview of English medieval architecture. A devotee of the Gothic style, Rickman forged a successful career as an architect of Anglican churches, in the face of criticism from his Quaker brethren. This study is founded on the attention to detail and delight of a true enthusiast, drawing on knowledge of some five hundred buildings across the British Isles. Describing Greek and Roman influences before delineating English architecture since the Norman Conquest, Rickman presents a compelling...

Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724 1804) is best known for his works on the picturesque. In his Essay on Prints, published in 1768 and reissued in this series, he defined picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. First published in 1786, this two-volume work formed part of a successful series which recorded his reflections on the picturesque across British landscapes. It traces the journey he made in 1772, equipped with notebook and sketching materials, in the Lake District. Continuing to describe...

Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724 1804) is best known for his works on the picturesque. In his Essay on Prints, published in 1768 and reissued in this series, he defined picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. First published in 1786, this two-volume work formed part of a successful series which recorded his reflections on the picturesque across British landscapes. It traces the journey he made in 1772, equipped with notebook and sketching materials, in the Lake District. Describing his route...

Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724-1804) is best known for his works on the picturesque. In his Essay on Prints, published in 1768 and reissued in this series, he defined picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. First published in 1782, the present work was the first in a series which recorded his reflections on the picturesque across British landscapes. It traces the journey he made, equipped with notebook and sketching materials, along the River Wye and into South Wales, visiting such notable...

Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724 1804) is best known for his works on the picturesque. In his Essay on Prints, published in 1768 and reissued in this series, he defined picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. First published in 1798, the present work is one of a series which records his reflections on the picturesque across British landscapes. It traces the journey he made, equipped with notebook and sketching materials, westwards from Wiltshire through Somerset and Devon to Cornwall, returning...

Remembered for devising the measure of wind speed that bears his name, the naval officer and hydrographer Sir Francis Beaufort (1774 1857) also had a hand in the production of more than a thousand nautical charts over the course of his career. In 1810 he had been appointed to command the frigate Frederikssteen by the Lords Commissioners of the Admiralty. His mission was to explore 'Karamania', a contemporary European term for the shores of southern Turkey. For two years Beaufort charted the coastline and investigated its classical ruins before his work was brought to an end in 1812 by a...

Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724 1804) is best known for his works on the picturesque. In his Essay on Prints, published in 1768 and reissued in this series, he defined picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. First published in 1804, the present work is one of a series which records his reflections on the picturesque across British landscapes. It traces the journey he made in 1774, equipped with notebook and sketching materials, along England's south coast from Portsmouth to Dover and Canterbury...