The Life of St Pankratios of Taormina describes the mission and martyrdom of St Pankratios, a disciple of the Apostle Peter sent to evangelize Taormina as its first bishop, and purports to have been written by St Pankratios’ successor, Euagrios. The text was composed in the early eighth century and is of Sicilian provenance. The Life contributes to our understanding of the Byzantine attitude to the past and of the novelistic approach to hagiography. It touches on the topography of Sicily and Calabria, ecclesiastical arrangements in Sicily, civil and military administration, the Sicilian...

In The Rise and Fall of Nikephoros II Phokas, Denis Sullivan presents five Byzantine Greek texts that document the remarkable career of Nikephoros II Phokas, emperor from 963 until his death in 969. The first three texts are historical chronicles covering the period 944-963, which sees Nikephoras’ rise from military general. The fourth is a “historical epic” poem on the successful Byzantine expedition against Arab Crete in 960-961, for which Nikephoros was the field commander. The last text is a liturgical office that declares the slain emperor a martyr and a saint. These texts,...

The essays in Hymns, Homilies and Hermeneutics explore the literature of Byzantine liturgical communities and provide a window into lived Christianity in this period. The liturgical performance of Christian hymns and sermons creatively engaged the faithful in biblical exegesis, invited them to experience theology in song, and shaped their identity. These sacred stories, affective scripts and salvific songs were the literature of a liturgical community – hymns and sermons were heard, and in some cases sung, by lay and monastic Christians throughout the life of Byzantium. In the field of...

This is the first comprehensive study of Greek language ordinary chants (Gloria/Doxa, Credo/Pisteuo, Sanctus/Hagios and Agnus Dei/Amnos tu theu) in Western manuscripts from the 9th to the 14th centuries. For the first time, this book presents an in-depth analysis of these chants and their historical, linguistic and theological-liturgical environment from a Byzantine perspective. The new approach enables the author to refute numerous (and largely contradictory) theories on the origin and development of the Missa Graeca and provides new answers to old questions.