Digital Scenography in Opera in the Twenty-First Century is the first definitive study of the use of digital scenography in Western opera production.

The present volume, devoted solely to the composer’s operas, reflects this scholarly activity. It brings together a substantial group of essays by an international team of scholars on a wide range of aspects of Rameau’s operas.

The Original Portrayal of Mozart’s Don Giovanni offers an original reading of Mozart’s and Da Ponte’s opera Don Giovanni, using as a lens the portrayal of the title role by its creator, the baritone Luigi Bassi (1766-1825).