John Ruskin (1819-1900) was the most important critic of the last century and one of the period's greatest writers of English prose. He exercised an enormous influence not only on the theory but also on the practice of the arts, and by his powerful advocacy of Turner, the Pre-Raphaelites and the Gothic style decisively affected the course of British art and architecture. He was an exceedingly prolific writer, and the standard edition of his works runs to 38 volumes - a daunting prospect to the scholar and general reader alike.

C.R. Leslie's memoir of his friend John Constable was first published in 1843 (with an expanded second edition in 1845) and has remained the standard biography of Constable ever since. The book is chiefly compiled from Constable's own correspondence and conversation; indeed its great authority arises from the fact that the story is told almost throughout in the subject's own words. Constable wrote as he painted, with an acute and serious eye on the subject, and with a spontaneous presentation of imagery; he also showed over and over again a robust wit and a taste for gossip.

Jacob Burckhardt was a scholar who had the gift of being able to combine vast knowledge with a vivid imagination and lively creativity. This book, his contribution to cultural history, was first published in 1860, and has long been recognized as a great work of literature as well as history; its range, powerful style, and breadth of vision make it a classic introduction to the study of the Renaissance, and one that is still a source of inspiration. My starting point has to be a vision, ' Burckhardt wrote to a friend, otherwise I cannot do anything. Vision I call not only optical, but also...

This work is the only known autobiography of a Renaissance artist. It describes not only the artist's life at the Papal Court in Rome and at the Royal Court of France but makes very vivid historical writing, including, as it does, an eye-witness acount of the Sack of Rome in 1527.