This book is an important reference source for the origins and subsequent development of the principal concepts that define the discipline of psychology. It provides a quick read for those with specific needs in intellectual history, yet provides sufficient references for the scholar who wants to delve more deeply into the subject. Perhaps more important, it helps the reader to understand the roots of contemporary psychology and the dynamic nature of psychology's concepts. It is a welcome addition to my research library even though it means I now have to redesign my students. "The Journal...

In "The Role of State Supreme Courts in the New Judicial Federalism," Susan P. Fino presents a comprehensive analysis of the work of the state supreme court in the context of the new emphasis of states' rights. She provides both quantitative and qualitative data on state supreme court decisions, and includes an analysis of over 1,200 opinions rendered by six selected courts, thus laying the foundation for a systematic study of the state supreme court system. Fino also presents hypotheses to explain the variations in decision making observed from state to state. Her work concludes with...

Sometimes considered to be America's first indigenous modernist art style, Precisionism, a movement principally of the 1920s and 1930s, concentrated on depicting the urban and industrial landscape, emphasizing the formal geometrical qualities of solid mass and clean lines and rendering these vistas with simplified, sharp-edged shapes and smooth, unmodulated application of pigment, void of extraneous details and impersonal in tone. This annotated bibliography deals with Precisionism and its ten leading practitioners: George Ault, Peter Blume, Ralston Crawford, Charles Demuth, Preston...

This is the first comprehensive scholarly bibliography/research guide/sourcebook on the major French Fauve painters (Henri Matisse and Georges Braque are treated in separate Greenwood bio-bibliographies). It includes information on 3,120 books and articles as well as chronologies, biographical sketches, and exhibition lists. Each artist receives a primary and secondary bibliography with many annotated entries. Secondary bibliographies include details about each artists' life and career, relationships with other artists, work in various media, iconography, and more. Designed for art...

This comprehensive international bibliography is the first to attempt documentation of this diverse field, covering the history of Artist's Performance. It focuses on its early twentieth-century antecedents in such movements as Futurism, Dada, Russian Constructivism, and the Bauhaus as well as its peak period in the 1950s, 1960s, and 1970s with such developments as Gutai, Fluxus, Viennese Actionism, Situationism, and Guerrilla Art Action. Major emphasis is also given to sources on 115 individual performance artists and groups. More than 3700 entries document print and media materials...

This reference provides biographical, historical, and critical information on Neo-Impressionist painting and its most significant painters. Neo-Impressionism, also called Divisionism and Pointillism, was one of the most innovative and startling late 19th-century French avant-garde styles. Over 2,000 books, articles, manuscripts, and audiovisual materials as well as chronologies, biographical sketches, and exhibition lists are cited. Also provided are both primary and secondary bibliographies for each artist. Secondary bibliographies capture details about each artist's life and career,...

American women have made significant contributions to the field of photography for well over a century. This bibliography compiles more than 1,070 sources for over 600 photographers from the 1880s to the present. As women's role in society changed, so did their role as photographers. In the early years, women often served as photographic assistants in their husbands' studios. The photography equipment, initially heavy and difficult to transport, was improved in the 1880s by George Eastman's innovations. With the lighter camera equipment, photography became accessible to everyone. Women...

This reference organizes and describes the primary and secondary literature surrounding Mary Stevenson Cassatt, Berthe Morisot, Eva GonzalEs, and Marie Bracquemond, four major women Impressionist artists. The Impressionist group included several women artists of considerable ability whose works and lives were largely ignored until the advent of feminist art criticism in the early 1970s. They studied, worked, and exhibited with their male counterparts including Degas, Manet, Monet, and Pissarro. The entries provide extensive coverage of the careers, critical reception, exhibition history,...