This issue explores the myriad ways in which Asian American image makers have negotiated the tension between being seen and unseen as strategies of survival, play, and reclamation, from the pursuit of anonymity or effacement during times of exclusion to practices of self-fashioning and commemoration within communities. Just as the term “Asian American” covers an incredible diversity of people from different geographic origins, classes, cultures, and historical experiences, there is no one approach to Asian American photography. This summer edition of Aperture highlights the...

Following Aperture’s acclaimed city issues centered around photography in Delhi, Mexico City, Los Angeles, New York, Tokyo, and São Paulo, the magazine’s Fall edition considers Accra as a site of vivid photographic styles connected to visual culture in Ghana and West Africa. From the pioneering midcentury studio photography and photojournalism of James Barnor to the sensitive and experimental work of Eric Gyamfi, Accra is at the center of dialogues around Pan-Africanism and is a point of return for the African Diaspora. The Accra issue, edited in collaboration with Lyle Ashton Harris and...