An energetically interdisciplinary project, this book incorporates queer theory, disability studies, and digital humanities into well-informed, new readings on post-WWII authors including Bruce Andrews, Thomas Pynchon, and Sylvia Plath. Using the idea of 'parability, 'or the ability for writers to tell improper stories, as a foundation, Alan Ramon Clinton synthesizes a new model for a creative, more daring literary criticism. Privileging singularity and invention over leaden argumentation, this study expands the idea of what it means to read literary texts.

Reading Vietnam amid the War on Terror argues that the examination of contemporary American war narratives can lead to newfound understandings of American literature, history, and national purpose. The book contends that these narratives trouble not only the jingoism pervasive in American culture, but also it's opposite-the ubiquitous cynicism about American national identity one encounters from within and without the halls of academe. The creative, controversial, and interdisciplinary approach will make this study of interest not only to scholars working in the growing field of contemporary...

Queer Commodities is the first study of same-sexuality and consumer capitalism in contemporary US fiction. Drawing upon a diverse range of novels by Edmund White, Samuel Delany, Jane DeLynn, Lynn Breedlove, and Michelle Tea, Guy Davidson proposes that while gay and lesbian subcultures are necessarily commodified, they also provide means of subversively negotiating aspects of life under capitalism. This thought-provoking book makes an important intervention in long-running debates about the relations between gay and lesbian lives and commodification and reveals that commercial culture can...

This book explores the conflicted relationship writers have with their public image, particularly when they have written about their personal lives. D'Amore analyzes the autobiographical works of Norman Mailer, John Edgar Wideman, and Dave Eggers in light of theories of authorship, autobiography, and celebrity.

In Readings of Trauma, Madness, and the Body, Anderson explores how Modernist fiction narratives by Hemingway, the Fitzgeralds, and H.D. represent trauma, specifically addressing the conflict between speaking about and repressing traumatic memories, while also considering how authors' understandings of gender influence their depictions.

Through its engagement with different kinds of texts, Exploring the Limits of the Human through Science Fiction represents a new way of approaching both science fiction and critical theory, and its uses both to question what it means to be human in digital era.

Interdisciplinary in nature, this project draws on fiction, non-fiction and archival material to theorize urban space and literary/cultural production in the context of the United States and New York City. Spanning from the mid-1970s fiscal crisis to the 1987 Market Crash, New York writing becomes akin to geographical fieldwork in this rich study.