Throughout the entire span of Graeco-Roman antiquity, Alexandria represented a meeting place for many ethnic cultures and the city itself was subject to a wide range of local developments, which created and formatted a distinct Alexandrine 'culture' as well as several distinct 'cultures'. Ancient Greek, Roman and Jewish observers communicated or held claim to that particular message. Hence, Arrian, Theocritus, Strabo, and Athenaeus reported their fascination with the Alexandrine melting pot to the wider world as did Philo, Josephus and Clement. In various fashions, the four papers of Part I...
Throughout the entire span of Graeco-Roman antiquity, Alexandria represented a meeting place for many ethnic cultures and the city itself was subject ...
The basic premise of the book at hand is that there is meaning to be excavated (in both meanings of the word) from Christian responses to pagan sculpture in the period from the fourth to the sixth century. More than mindless acts of religious violence by fanatical mobs, these responses are revelatory of contemporary conceptions of images and the different ways in which the material manifestations of the pagan past could be negotiated in Late Antiquity. Statues were important to the social, political and religious life of cities across the Mediterranean, as well as part of a culture of...
The basic premise of the book at hand is that there is meaning to be excavated (in both meanings of the word) from Christian responses to pagan sculpt...
