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Lewis examines cultural and theatrical intersections between early modern temporal concepts and early modern gendered identities. Through close readings of the works of Shakespeare, Middleton, Dekker, Heywood and others, she shows how temporal tropes are used to delineate masculinity and femininity on the early modern stage.

The relationship between the Austrian tradition and Bloomington institutionalism has been part of a larger intellectual evolution of a family of schools of thought that coevolved in multiple streams over the last 100 years or so. The Bloomington scholars, once they delineated the broader parameters of their own research program, started to reconstruct, reinterpret, and in many cases simply rediscover and reinvent Austrian insights and themes. As such, they created the possibility of giving those insights and themes new interpretations and new applications, in novel circumstances with new...