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It's a simple plan for each of them. Cathal wants money, Anto wants money and to be with Laura, and Laura wants to escape a life of poverty.

Life however is never that simple.

The three young Dubliners slide down the road of improvisedcrime in an effort to realize their dreams. In a cascade ofclueless effort and bizarre schemes, the three slip further into crime andthe strange life of the Irish underworld.

Unlike the boys, however, Laura has a plan for getting out before she gets in over her head. All she has to do is stay the course until that one big score that will give her a way...

How to Bring the Liturgy About. A selection of Turlough Baxters eponymous columns on the subject of liturgy which have appeared monthly in Intercom magazine for some twelve years. These short pieces, widely admired by clergy and non-clergy alike, offer refreshing insights into the celebration of the Eucharist, with a particular emphasis on seasons and sacraments.

10 songs by Irish harpist/composer Turlough O'Carolan arranged for solo 5-string banjo in tablature notation. Includes: Blind Mary, Carolan's Cap, Carolan's Draught, Constantine Maguire, Dr. John Stafford (Carolan's Receipt), George Brabazon (Second Air), Loftus Jones (Part One), Peggy Morton, Squire Parsons, The Two William Davises.

Dusty the Christmas Star is a super duper rhyming Christmas story about a little star that has no starlight and what he does to find his light. Dusty is short and sweet, touching and delightful, has a Christian theme, and brings the message of good deeds to the world. The illustrators are children which makes this story even more charming. Ages 3 - 8

Wie kein anderer verstand es Turlough O'Carolan (1670-1738) die alte irische Musik mit der damals in den vornehmen Kreisen gern gehörten italienischen Barockmusik zu verbinden. Der Gebrauch kleiner sich wiederholender Motive, die Art der Melodieführung und des Spannungsaufbaus lassen Carolans Gespür und Kenntnis für die im Barock so typischen Spielweisen erkennen. Diese barocken Einflüsse in seiner Harfenmusik wurden dann zu seinem unverkennbarem Markenzeichen. Damit schuf er sozusagen ein ganz eigenes Genre: die Celtic Classics.Schwierigkeitsgrad: 2-3