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These essays, by Chinese and Western scholars, treat selected aspects of Chinese literary theory, history, and criticism from the age of Confucius to the beginning of the twentieth-century.

The topics examined include Confucius as a literary critic (Donald Holzman); the view of ch'i, or vital force, as a decisive element in creative writing (David Pollard); the literary theories of the eleventh-century poet and essayist Ou-yang Hsiu (Yu-shih Chen) and his contemporary Huang T'ing-chien (Adele Rickett); and the seventeenth-century philosopher-poet Wang Fu-chih (Siu-kit Wong)....

These essays, by Chinese and Western scholars, treat selected aspects of Chinese literary theory, history, and criticism from the age of Confucius to the beginning of the twentieth-century.

The topics examined include Confucius as a literary critic (Donald Holzman); the view of ch'i, or vital force, as a decisive element in creative writing (David Pollard); the literary theories of the eleventh-century poet and essayist Ou-yang Hsiu (Yu-shih Chen) and his contemporary Huang T'ing-chien (Adele Rickett); and the seventeenth-century philosopher-poet Wang Fu-chih (Siu-kit Wong)....

THE Minqār-i Mūsīqār is of rare interest both for its contents and for its distinguished author,
Hazrat Inayat Khan. Its sections on theory are based on the teachings of the author's grandfather,
Maula Bakhsh, and other late nineteenth century sources. The songs at the center of the book are
the author's own compositions, and the poetry collection includes more than sixty choice Urdu
and Persian ghazals. Overall the book communicates the musical learning and enthusiasms of
Inayat Khan, whose personal drive, ambition to engage with the...