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These two plays - by acclaimed playwright Terry Johnson - tell the inspiring, endearing and sometimes alarming stories of an Oscar-winning cinematographer and an aspiring playwright who receives a chance phone call.

In Prism we see Legendary cinematic master Jack Cardiff retire to the sleepy village in Buckinghamshire. His days of hard work - and play - on some of the most famous sets in the world are now long behind him, as are his secret liaisons with some of the most famous women in the world... Surrounded by memorabilia from a lifetime of 'painting with light', the writing...

1938. Hampstead, London. Sigmund Freud has fled Nazi-occupied Austria and settled in leafy Swiss Cottage. At eighty-two-years-old, he aims to spend his final days in peace. However, when Salvador Dali turns up to discover a less-than-fully dressed woman in the closet, peace becomes somewhat elusive . . .

An acknowledged modern classic, Terry Johnson's hilarious farce explores the fall-out when two of the twentieth century's most brilliant and original minds collide. It touches on many themes including Nazi Germany, the Surrealist movement, Judaism, Freud's theories of the unconscious...

A sharp and hilarious biographical play based on the life of Carry On star Sid James

Carrying on in the great tradition of British comedy, Terry Johnson's new play takes some familiar faces and gets a bit familiar with them.
"Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety" (Guardian)

First published to tie-in with the Royal Court Theatre's production in April 2003, with a cast including Alexander Delamere, Victoria Gay, Fiona Glascott and Rosamund Pike, this is the newly revised version of award-winning Terry Johnson's classic play.

A media lecturer and his female prot?g? find some deteriorated Hitchcock footage. It would appear they had discovered some early rushes but what film were they for and who is the mysterious blonde?

Hitchcock Blonde is not a play about Alfred Hitchcock, though he may make a cameo appearance. Of the less familiar...

This is the first play adaptation of the classic novel and cult film. It premiered in April 2000 at the Gielgud Theatre, Shaftesbury Avenue, London, starring Kathleen Turner as Mrs Robinson

California in the 60s. Benjamin's got excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him... A cult novel, a classic film, a quintessential hit of the 60s, now Benjamin's disastrous sexual odyssey is brought vividly to life in this world stage premiere production.
"Terry Johnson is that rare creature: a moralist with wit. He writes...

"Since I was knee-high I have been blamed for everything;broken ornaments, the price of biscuits, my own personality. It hasbecome my father's habit to blame me for existing, like throwing ablanket over a sparrow. And now I'm being blamed for the nervousbreakdown of an anorexic nymphomaniac whom he married because she camethirty fourth in The Daily Mail hundred sexiest women of 1988."

Piano/Forte is a bold new comedy from one of the stage's favouritewriters. On the eve of his wedding to the glamorous Dawn, Clifford'splans for a joyous...

A young rake sexually plunders and pillages his way through London leaving a dozen angry cuckolds in his wake

First performed in 1681, The London Cuckolds was written by Edward Ravenscroft. Three centuries later, Terry Johnson's frank and fruity adaptation proves this seminal comedy to be a precursor to modern farce. The London Cuckolds premiered at the Royal National Theatre in February 1998.