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Too often pastoral care is uninformed by historical practice and is overly influenced by psychological theory and practice, according to Andrew Purves. At least one consequence of this is that it is often disaffiliated from the church's theological heritage. Purves examines Christian writers from the past who represent the classical tradition in pastoral theology--classical in the sense that they and their texts have shaped the minds and practices of pastors in enduring ways. He reflects on texts from Gregory Nazianzus, John Chrysostom, Gregory the Great, Martin Bucer, and Richard Baxter....

The meaning of compassion is more than just sympathy, empathy, pity, and concern. Compassion has a theological meaning. In this book, Andrew Purves sees compassion as the center of pastoral care, holding theology, spirituality, and ministry together. He examines how a renewed compassion gives ministry shape and content which "grows out of the life of God, and God's care for the world."

In Pastoral Care in the Classical Tradition, Andrew Purves argued that pastoral care and theology has long ignored Scripture and Christian doctrine, and pastoral practice has become secularized in both method and goal, the fiefdom of psychology and the social sciences. He builds further on this idea here, presenting a christological basis for ministry and pastoral theology.

In this helpful introduction, the authors focus on the basic issues of Christian Faith as filtered through contemporary experience: the mystery of faith, justification and sanctification, salvation, sin, the sacraments, hope, and joy. Ideal for group or individual study, this guide brings these doctrines to life and helps readers understand their relevance in day-to-day experience.

This unique volume offers up a groundbreaking analysis: proof that a revision is required of the critical commonplace idea in gothic scholarship that the roots of the gothic novel belong within the popular anti-Catholicism of late eighteenth-century Britain. Arguing that despite the predominance of Catholic motifs in gothic novels (monks, nuns, abbeys, and confessionals have long been interpreted as signifying subversiveness), the gothic was neither anti-Catholic nor anti-church, and instead part of a British culture much more sympathetic towards Catholicism during the long eighteenth...

The universality of musical tones has long fascinated philosophers, scientists, musicians, and ordinary listeners. Why do human beings worldwide find some tone combinations consonant and others dissonant? Why do we make music using only a small number of scales out of the billions that are possible? Why do differently organized scales elicit different emotions? Why are there so few notes in scales? In Music as Biology, Dale Purves argues that biology offers answers to these and other questions on which conventional music theory is silent.

When people and animals vocalize,...