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The Daughter's Way investigates negotiations of female subjectivity in twentieth-century Canadian women's elegies with a special emphasis on the father's death as a literary and political watershed. The book examines the work of Dorothy Livesay, P.K. Page, Jay Macpherson, Margaret Atwood, Kristjana Gunnars, Lola Lemire Tostevin, Anne Carson, and Erin Moure as elegiac daughteronomies--literary artifacts of mourning that grow from the poets' investigation into the function and limitations of elegiac convention. Some poets treat the father as a metaphor for socio-political power,...