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We want you to succeed on your college physics midterm and final exams. That's why we've selected these 500 questions to help you study more effectively, use your preparation time wisely, and get your best grades. These questions are similar to the ones you'll find on a typical college exam, so you will know what to expect on test day. Each question includes comprehensive explanations in the answer key. Whether you have been studying all year or are reviewing at the last minute, McGraw-Hill's 500 College Physics Questions will help you achieve...

One of the unique features that has made this...

When Sue Halpern decided to emulate the first modern scientist of memory, Hermann Ebbinghaus, who experimented on himself, she had no idea that after a day of radioactive testing, her brain would become so "hot" that leaving through the front door of the lab would trigger the alarm. This was not the first time while researching Can't Remember What I Forgot that Halpern had her head examined, nor would it be the last.

Like many of us who have had a relative or friend succumb to memory loss, who are getting older, and...

After seeing a new translation of Jorge Luis Borges′s mini-essay "Borges and I" (included here), Halpern asked numerous writers to muse briefly on "the fictional persona ′behind the scenes,′" the alter(ed) ego that accompanies creation.

He asked some 50 well-known authors-such as Margaret Atwood, Pat Conroy, William Gass, Czeslaw Milosz, James Michener, Joyce Carol Oates, and Cynthia Ozick-to write pieces on this idea. The essays are mostly one- to two-page snapshots and vary widely as to approach. Some are touching, others delightfully silly.

Edward Gorey...

A new telling of Dante's Inferno, this translation is the most fluent, grippingly readable version of the famous poem yet, and--with all the consummate technical skill that is the hallmark of Sean O'Brien's own poetry--manages the near-impossible task of preserving the subtle power and lyric nuance of the Italian original, while seeking out an entirely natural English music. No other version has so vividly expressed the horror, cruelty, beauty, and outrageous imaginative flight of Dante's original vision.